The Outrageous Sophie Tucker

April 3rd, 2015

Saturday, May 2, 2:00 p.m. at the Museum of Fine Art

Professor Joyce Antler, author of A History of The Jewish Mother, is a guest speaker for The National Center for Jewish Film’s 18th Annual Film Festival, which runs from April 30-May 15. Purchase tickets and find out more at!

“Ready To Turn The World Upside Down”: Women’s Liberation And Jewish Identity

November 10th, 2014


A talk by Professor Joyce Antler

Thursday, November 20th 12:00-1:00, Mandel Center 303

Reconstructing the lost Jewishness of radical feminism, Professor Antler explains why the honor-roll of women’s liberation pioneers includes so many Jewish women—and the complex identity politics behind their own—and others’—failure to chronicle this history.

Auditions for “When Rebellion Becomes Revolution” for ‘DEISImpact

November 27th, 2012

In Spring 2012 Professor Joyce Antler’s History as Theater class wrote the play “When Rebellion Becomes Revolution” and gave a dramatic reading in the International Room, with more than 70 people in attendance and rave reviews. The play lives on and will be part of ‘DEISImpact in February 2013; performance dates are February 8 and 9 and 8 p.m. and February 10 at 3 p.m..

Auditions for roles will be held on Wednesday, 11/28 and Thursday, 11/29 in Luria from 6 p.m.-10 p.m. For more information, please email

When Rebellion Becomes Revolution is presented by the Free Play Theatre Cooperative, the American Studies Program, and ‘DEISImpact.

BrandeisNOW on AMST Student Play for “History as Theater” Course

May 7th, 2012

Professor Joyce Antler’s “History as Theater” semester project, a full-length play about student radicalism on campus in 1970 is featured on BrandeisNOW:

“Stunning!” “Spectacular!” “Truly emotional and intellectual” were just a few of the responses from audience members following the dramatic reading of “When Rebellion Becomes Revolution: A Play of Protest, Murder, Denial and Atonement,” developed throughout the fall semester as part of Professor Joyce Antler’s American Studies course, “History as Theater.”

For 12 weeks, the eight students in the course investigated events at Brandeis in 1970 that led to the involvement of students Susan Saxe and Kathy Power in the robbing of the State Street Bank in Brighton, Mass., and the shooting death of Police Officer Walter Schroeder. Both women were on the FBI’s most wanted list in the 1970s; Saxe was captured and served seven years in prison, but Power remained at large until she surrendered in the early 1990s.

“Saxe and Power were part of a wider group of Brandeis students who passionately opposed the Vietnam War and other government actions,” says Professor Antler, Samuel Lane Professor of American Jewish History and Culture and Head of the Division of Social Sciences. “As the coordinating body of the National Strike Information Center, Brandeis played a special role in student activism. Unlike other Brandeis radical activists, Saxe and Power…resorted to violence.”

This issue of the shift from protest to violence is at the heart of the play itself, stimulating the students to examine the changing meanings of social justice. As Paige Lurie ’15 says in the play’s epilogue, a reflection on the students’ experience in researching and writing the play, “At the start of the semester, I had a very analytical definition about what social justice was. After learning about Power and Saxe I realized social justice is a personal thing—successful or not it cannot be limited by an outsider’s perspective. Even if I would never rob a bank to stop a war— and even though I still don’t believe these students went around it the right way— it doesn’t mean they weren’t advocates for social justice.”

The performance received such overwhelmingly-positive response that many in the audience urged Professor Antler to restage the play:

Sharon Feiman Nemser, director of the Mandel Center for Jewish Education at Brandeis, commented on the relationship between the two in her reaction to the performance.

“It needs to be part of the Brandeis legacy but also the legacy of the student protest movement and beyond,” Nemser says. “I think it would be moving and instructive to students involved in the Occupy movement.”

Audience reaction was overwhelmingly positive.

“What a powerful way to engage students with primary sources and how historians use them to construct narratives–which, if they are to engage readers, must have some kind of dramatic arc,” declared Gail Reimer, director of the Jewish Women’s Archive.

Scott Edmiston, director of the Office of the Arts at Brandeis, found the performance “so moving and meaningful. I would love to see the students more engaged with this work. Bravo!”

This theme of restaging and repeat performance was echoed by UMass-Boston History Department Chair Roberta Wollons, who told Antler, “I hope you will hold on to this work and consider presenting it again and again, maybe each time given over to the vision of different directors or acting ensembles…It was an amazing accomplishment.”

Read more here: Joyce Antler’s class writes its own ‘History as Theater’

‘When Rebellion Becomes Revolution: A Play of Protest, Murder, Denial and Atonement’ to be read April 25

April 24th, 2012

Professor Joyce Antler’s History as Theater (American Studies 128b) has been busy this semester learning about documentary drama and writing its own. Using Brandeis archives and other historical materials, the class has probed student radicalism in an earlier generation, focusing on the famous case of Susan Saxe and Kathy Power (Brandeis, 1970).

Come out and see the students’ work and join in contemplation of the changing meanings of social justice on the college campus. The play, “When Rebellion Becomes Revolution: A Play of Protest, Murder, Denial and Atonement,” will be read in the International Lounge on Wednesday, April 25, at 7 p.m. Power will be in attendance.

Seating is limited so please RSVP to Antler at

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