CAST-ing Our Lines! Another New BOLLI Special Interest Group

Dropping by the BOLLI Gathering Space at 60 Turner Street on a Tuesday afternoon, you might find some unusual activity underway as CAST members work to discover, develop, and refine their performance skills in the dramatic arts.

An outgrowth of BOLLI’s long-standing “Scene-iors” Acting Troupe (an annual springtime course offering in which participants work on and present a staged reading of a play for the BOLLI community-wide audience), CAST provides interested members with opportunities to engage in a variety of creative drama/theatre exercises and basic acting work.

During each CAST session, the group does some warm-up pantomime followed by improvisation, concentration, and observation exercises. The techniques explored are then applied to short scenes from short stories, novels and plays as well as poetry.

Recently, after a rousing session of pantomimed catch and jump rope, the group was split into two sections who were each charged with the task of creating tableaux highlighting “the key moment” in its well-known fairy tale. Of course, at BOLLI, this meant first spending several minutes in highly animated intellectual discussion and debate about which moments in these tales are truly seminal. (In “Red Riding Hood,” for example, is it when the wolf gobbles up Red? Or is it when the Woodsman arrives on the scene? In “Cinderella,” is it when Cindy loses her slipper or when the Prince arrives to try it on the Ugly Stepsisters?) The intensity and commitment to the work were palpable.

Later in that session, various “misunderstood” fairy tale characters appeared on an improvised Dr. Phil-like television talk show to air their woes. Here, Snow White’s Queen (Judy Blatt) and Cinderella’s Stepmother (Sandy Clifford) share their frustrations with their television audience.

MALIGNED MOMS Snow White's Queen (Judy Blatt) and Cinderella's Stepmother (Sandy Clifford)
MALIGNED MOMS Snow White’s Queen (Judy Blatt) and Cinderella’s Stepmother (Sandy Clifford)

During another session, we delved into the importance of “focus” in setting any scene and applied what was learned about the use of the eye to scenes offering particular “focal” challenges. Becki Norman, Monique Frank, and Eileen Mitchell (below) take some planning time to determine how to approach George’s Marvelous Medicine by Roald Dahl, a story in which young George’s Grandmother downs a dose of quite a nasty concoction which gives her such a jolt of energy that she shoots up to the ceiling where she is suspended for some time.

GEORGE 1
SETTING THEIR SCENE Becki Norman, Monique Frank, and Eileen Mitchell

 

GEORGE
George (Monique) is stunned to see Grandma (Becki) in robust, rising movement.

Another group—consisting of Irwin Garfinkle, Judy Blatt, and Bunny Cohen—took on the challenge provided by The Fruit at the Bottom of the Bowl, a short story by Ray Bradbury in which a man who has just committed a murder becomes completely obsessed with removing his fingerprints from every inch of the man’s home.

FRUIT
OBSESSION TAKES HOLD Irwin Garfinkle, Judy Blatt, Bunny Cohen

FRUIT 2

After the two groups viewed each other’s work, Bunny broke into a huge smile. “This is so much fun!” she said to the rest of the CAST. Then she grinned.  “Remember when we used to just stand there and read?”

The group will continue to meet on Tuesdays throughout August and then, when the new term begins, will switch to a Friday time. Watch the weekly Bulletin for meeting announcements—any interested BOLLI member is welcome to CAST a line at any point!