Category Archives: BOLLI Special Interest Groups

Read about the activities of our “extra-curricular” groups: Book Club, CAST (Improvisation, storytelling, etc.), Poetry Circle, French Conversation Group, New Yorker Fiction Salon, Photo Club, Scene-iors Acting Troupe, Writers Guild.

WALKABOUT by Quinn Rosefsky

At our most recent Writers Guild session, we shared our work with a “conspiracy theory” prompt in which we challenged ourselves to stretch our imaginations into the “fantastic” and write with authority.  As autumn creeps upon us, this piece of fiction by Quinn Rosefsky took many of us right back to summer camp…  We thoroughly enjoyed it and are sure you will too.

Quinn says that:  “Walkabout” started as a chapter in a book I call: Camp Arawakee .The manuscript was on a shelf in my closet for over twenty-five years. At one time, the book had enough strength to entice an agent to take interest. However, no publishers ever bothered to take a nibble. That was disheartening. More recently, I summoned the courage to take a fresh look. After all, in the past several years, I have somehow managed to write and re-write many times, what on paper looks like a mere 200,000 words. That changes a person. Let me tell you! So, what we now have in “Walkabout” is the fresh, 2017 version of the sentiments which first came to life so long ago. I’d be interested to know if anyone can come up with an ending to the “story within a story.” Having said that, you should probably read the story before reading this brief essay

 

WALKABOUT 

By Quinn Rosefsky

Where was Louis? The boys in Turtle Cabin waited in the fading light for their counselor to return from chatting with the pretty dark-haired nurse in the infirmary. Charlie, Teddy and Sean made up a contest. Who could jump the farthest from the edge of the lean-to onto the ground? A few feet away, Pete and Michael began arguing about whose turn it was to sweep the floor the next morning. As the first stars began to appear, Louis strode into view.

“Story!” the boys said, one after another.

The boys and Louis, dangling their legs, huddled on the edge of the lean-to.

“It was as hot as an oven the day I saw my first opal,” Louis said, dumping a bag of strange pebbles into his palm. “I’d been behind the wheel of my truck for hours and the flies were driving me crazy. I was so tired I could barely keep my eyes open. That’s when I drove the truck off the road into a ditch. There was no way I could get the wheels free. I sat down under the only gum tree around to rest.

“Just as I closed my eyes, something flashed at my feet. I bent over. There it was lying on top of the ground, the most fiery opal I’d ever seen.”

Louis paused to adjust the bush hat he always wore, even in the shower.

“What’s an opal?” Charlie said.

“It’s a jewel almost as precious as a diamond but still worth a lot of money.”

“Let him get on with the story,” Pete said, elbowing Charlie.

“Anyhow, just then, an Aborigine, his eyes so bright they looked like they were on fire, walked out of the bush and came straight towards me. He was wearing dusty blue jeans and no shirt.”

“What’s an Aborigine?” Ronnie said.

“They’re our native Australians, the ones who were there when Europeans first began to settle the continent. Same as your American Indians were here first.”

“Are there a lot of them?” Sean asked.

“Not any more. They’ve had a rough time.”

“Are they dangerous?”

“Not at all. They never were and never will be. They’re the ones who protect life in all its forms. That’s why the bush has been unspoiled for thousands of years.

“This particular Aborigine, who said his name was Jack, was on what’s called a walkabout. He’d been living alone in the bush for over a year, learning what he was to do with his life.

“As soon as Jack came to within a few yards, he stood still. He didn’t move for five minutes, not a muscle. It was as if he’d turned into a statue.

“Then Jack moved. First he pointed to my opal and then he took it from my hand and turned it over and over. Then he said: ‘Follow me.’

“We walked along an invisible track in the bush for about an hour. Finally, Jack stopped and pointed to the ground. I was completely mystified. Opals, dozens of them, were everywhere. I ran about like a man possessed. I was rich!

“Then I remembered my car was still stuck in the ditch an hour away from where I was. But what good would it do me to have all those opals if I never got out of the bush? I looked around to thank Jack, but he was gone. I was alone with no truck, no water and the hot sun beating down on me.”

“What happened next?” Charlie asked.

“You’ll have to wait until tomorrow,” Louis said.

“It’s not fair,” Pete said stomping his feet.

“That’s enough, Pete,” Louis said, wagging his finger. “I’ll give you guys fifteen minutes to get ready for bed and then it’s lights out.”

“How can I fall asleep not knowing if you survived?” Sean asked.

“Tomorrow.”

BOLLI Member & SGL Quinn Rosefsky

Quinn is a familiar face at BOLLI where he takes courses, teaches courses, serves on the Study Group Support Committee, participates in the New Yorker Fiction Group, the Writers Guild, and more!

 

WHAT’S ON MY MIND? LOST & FOUND by Steve Goldfinger

Our Writers’ Guild prompt for this week was this “Keep Calm and Look in Lost & Found” image.  As always, some chose to use the prompt while others did not.  We all thoroughly enjoyed Steve Goldfinger’s approach, and  we felt that many BOLLI members might be able to relate!  

LOST & FOUND

By Steve Goldfinger

For a moment, my wandering brain lost the prompt, but now I remember.  Ah, yes.  “Lost and Found.”

Well, it’s easy to lose things.  Car keys, cell phones, shopping lists, hearing aids.  Names of people whose faces are imprinted in my skull, faces of people whose names are as secure in my mind as swallows in cliff dwellings.

I cannot find the treasured score card that documented the best round of golf I ever played.  I was 21 year old, knew I would never have so low a score again, and promised I would keep it to show my grandchildren.  But where is it now?  Hiding somewhere in my attic or moldering at the bottom of some forsaken garbage dump?

When I lost my virginity, I knew I had also found something.  But when I lost my wallet yesterday, the only thing I found was an empty back pocket.  My only consolation was that my credit card was not longer in it.  Once again, the piece of plastic was undoubtedly sitting next to the cash register of the last restaurant I ate at.  Again, I neglected to retrieve it after I signed the check.  Damn it.  I want it back.  Now, what was the name of that restaurant?

After driving to the MFA to see the new exhibit that so excited me when I read the review in The Globe, I forgot which one it was.  When a large sign reminded me and told me where it was, I had to ask a guard to direct me to the stairway I had marched to directly so many times in the past.  It was a great exhibit…fine paintings and etchings by…oh, shit!

And what have I found?

Perhaps a new internal tempo that allows me to drive more slowly, aware as I am that, in front of me, the lane seems to have narrowed, and too many dents and scrapes have appeared on my car.

Or the magic of the remote, being able to put a ball game on a 40 minute delay so I can then zip through the commercials to get to the action.

Or the ability to justify my lifestyle–couch potato, bacon and eggs, steaks, morning croissants, and evening ice cream–by “Hey, I’m 82 and just back from Alaska where I survived a strenuous hike.  Good genes.  Thanks, Mom and Dad.”

Or how easy it has been to depart from the world of medicine.  A satisfying six decades, but in the end, too many directives separating me from patients, too many memory lapses, too many teaching moments falling short of my expectations, threatening my pride.

Or my ability to respond to writing prompts in perhaps a better way than I have responded to social ones over the years.

Writers Guild member, Steve Goldfinger

Since joining BOLLI nearly two years ago, Steve has been exploring new ventures.  He has been active in both the Writers Guild and CAST (Creativity in Acting, Storytelling, and Theatre).  

Interested in joining either one yourself? During the fall term, the Guild will meet on Wednesday mornings from 9:45-11.  And CAST will meet on Fridays from 12:30-2.  All are welcome!

CAST UPDATE: Self-Discovery in a Supportive Environment

CAST (Creativity in Acting, Storytelling, and Theatre) IN ACTION

Veteran Player Sandy Clifford

“It gets the creative juices flowing!”  Sandy Clifford says of CAST activity at BOLLI.   “It’s great fun making new friends and begging part of a  creative team.  It’s also challenging and educational kind of self-discovery–in an environment where taking chances is supported.”

It’s a typical CAST adventure.  The group gathers for a “Warm-Up Walk” around the Gathering Space.  They are instructed to focus on the space itself, the intersection between themselves and their environment, and then, the nature of their movement.

The instruction to “Walk like an Egyptian” brings the expected laughter as actors try to move as if they are one or two-dimensional beings. Then, they take on the characters of individuals with unique walks: clown, deep sea diver, tightrope walker, toddler, ballerina.  “How has the environment and years of this activity affected the way you walk–on the sidewalk?  Across a room?”  They move throughout the room, finally coming to a stop to see what might be coming next.

Mimed activity–jumping rope, playing tennis or volleyball–might lead to creating tableaux or “Photo Album” in which one member turns the pages of an imaginary album, narrating a memorable family outing  or celebration.  “Oh, here we all are at Uncle Elbert’s barbecue,” the narrator indicates, for example, as the group quickly compose themselves in a frozen scene.

Next might be an exercise in improvisation.   In “Job Interview,” an employer engages a potential employee in conversation about the position for which he or she is applying.  The catch?  The potential employee doesn’t know what the job is and must rely on the other player to guide her or him to that conclusion with well-constructed clues.   In “Congratulations on Your Retirement!” a group of party-goers try to determine what each other’s 50-year careers entailed.

Phyllis Walt and Steve Goldfinger in “You Did WHAT?!”

An exercise in dialogue might follow.  “The Ten-Line Trip,”  for example, provides players, in pairs, with a generic ten-line dialogue which each pair particularizes by creating a unique environment in which it takes place,  As in…

UP IN THE AIR with Judy Blatt and Eileen Mitchell

On occasion, a rousing rendition of “Chopped Props” ensues.  The players are divided into two groups, and each is given a picnic basket or grocery bag which has been filled with identical prop items.   The groups then have a prescribed bit of time in which to create a scene in which all of the props become essential elements.  As in…

THE BANK HEIST with Bette Winer, Joan Halperin, and Sandy Clifford

and…

MY AGING DENTIST with Steve Goldfinger, Judy Blatt, and Monique Frank

 

Props can be used to inspire solo storytelling as well–as Marty Ross demonstrates.

Marty Ross in Mega-Magnifiers recounts a tale–fiction? Or NOT…?

 

At times,  too, the group deals with scripted material–as we will do starting next month when we begin to prepare CARRYING ON, the world premiere of a collection of short plays for senior players.  The production will be presented at a Lunch & Learn session during the last week of the fall term.

Newcomers are always welcome.  Margie Nesson tried her hand at the acting game this summer, reporting that she enjoyed “yet another new experience for me at BOLLI!”   New BOLLI member Mark Seliber says that, during the first session he attended,  he was intrigued by how just movement itself can set up a scene.  And Jan Burres, who dropped in recently, says, “It was fun! We laughed.  We played.  We even learned how people in theatre can cry, night after night, when necessary. I felt welcomed and delighted in the real sense of camaraderie in the group. And I’ll be back.”

And it just doesn’t get better than THAT, now, does it?

CAST Facilitator Sue Wurster

For over 40 years, Sue taught drama to students  in kindergarten  through college (but mostly in middle and high school).  Working with BOLLI players has been “absolutely the best,” she says.  “Unlike adolescents, this group isn’t worried about looking silly in front of their friends–they just go for it!  And, as a result, their growth as actors is exponential in nature.”  

ONE BOLLI, ONE BOOK

During the final week of our Fall Term, BOLLI’s “Book Group” engaged lunchtime attendees in a BOLLI-wide discussion of Philip Roth’s novel, Indignation.

Roth’s book is set in the 1950s and features a butcher’s son from Newark who escapes the family ties that bind by enrolling at a small, traditional college far from home in the rural Midwest.

The BOLLI Book Group’s co-organizers, Abby Pinard and Charlie Marz, moderated the event.  “I think the One Bolli, One Book conversation went extremely well,” Charlie says.  “I’m not very good at estimating the number of people in a crowd, but I would say there were at least 3 or 400 people in the room.”  Abby suggests that 30-40 were actively engaged in the conversation circle, and mentions that another 10-20 observed from the tables.

Abby Pinard and Charlie Marz (left) greet participants in the discussion circle
Abby Pinard and Charlie Marz (left) greet participants in the discussion circle

Charlie points to the conversation as having been lively and substantive.  “Rosalie Fink told me that, although she hadn’t read the novel, she found the discussion so interesting that she went out and bought it and read it,  and, since that time, she’s  become a bit obsessed by Roth, recommending that we do another one of his novels–American Pastoral or Nemesis.  Another ‘silent’ participant, Marty Kafka from The New Yorker Fiction Salon,  told me that, although he hadn’t read the book, he found the discussion so interesting that he stayed just to observe/listen.”

Both Charlie and Abby believe that the event may become an annual one, but, whether that happens or not, the BOLLI Book Group offers excellent reading and discussion opportunities on a regular basis.

Watch The Bulletin for specifics about the group’s upcoming reading and discussion plans.

Want to know more about BOLLI’s Special Interest Groups?  Click here:  https://dl.dropboxusercontent.com/u/33972419/SIGS.pdf

 

 

BOLLI’S PHOTO GROUP: Getting the Picture

During the Fall Term, the BOLLI Photo Group treated us all to a glimpse of their activities in a wonderful lunchtime presentation.  It helped to introduce this very popular Special Interest Group to the membership as a whole and highlighted some of its activities.

Group organizer Joanne Fortunato kicked off the presentation with some images from the group’s October trip to the deCordova Sculpture Park and Museum.  She focused, in particular, on one outdoor installation called “Lincoln”  One would think the photographers’ images would all be quite similar considering that they were shooting the same thing.  But, clearly, this is never the case!  Note how very original these shots are!

Miriam Soybel
Miriam Soybel
Mel Markowitz (shooting Dick Hanelin)
Dick Hanelin
Joanne Fortunato
Joanne Fortunato
“Weathered” by Steve Schwartz
“Rabbit Hole” by Steve Schwartz
“Out of the Darkness” by Steve Schwartz

Other members of the group presented aspects of their work for the BOLLI lunchtime audience.

Linda Brooks shared her “Photography Projects with a Focus.”  She particularly likes working with themes and, after her “Windows and Doors Calendar” (which you can find on the blog by scrolling through SIG “Photo Group” items), she started creating books, including a dog story for children.  She photographed the 30 day gestation period taking place in the robin’s nest outside her kitchen window, and is now into flowers.

Helen Abrams provided “Photographing Trees: A Personal Journey.” As a docent at Mt. Auburn, she has an excellent opportunity to check out a huge number of different types of trees and focus on their fascinating differences–their twisted trunks and branches, their leaves…in all sorts of light.  She says that they eventually start to look like they’re going to move!  (You can find one leg of this journey in a very early blog item by scrolling back through the SIG “Photo Group” items.)

Steve Schwartz showed “Interpretations: Familiar and Artistic.”  He says that, as a CPA, photography fulfills his fascination with the intersection of precision and feelings.  His work, exemplified by his “Lincoln” photographs above, clearly does just that!

And, finally, the irrepressible BOLLI photo enthusiast/SGL/and field trip leader extraordinaire Arthur Sharenow rounded out the event by providing “Tips for Taking Good Pictures,” sharing some hits and misses.  Always a treat!

The group meets on one Friday afternoon per month–check the BOLLI calendar for meeting dates/times.  At each meeting, the group takes time to critique each other’s work, share ideas, and plan events.  Any interested BOLLI member–from beginner to professional–is welcome!  Coming up, another photography show featuring works by members of the group will be installed in the Purple Room for the spring term.

Want to know more about BOLLI’s Special Interest Groups?  Click here:  https://dl.dropboxusercontent.com/u/33972419/SIGS.pdf

 

 

CAST PRESENTS: “Going Solo”

During the last week of the fall term, the BOLLI Membership Committee sponsored lunchtime presentations celebrating ourselves and our activities, providing our fellow BOLLI members with entertainment, discussion, and more!  First up, that week was our intrepid group of actors providing a program called “Going Solo.”

                                                                 CAST                                                                               (Creative Acting, Storytelling, and Theatre)On Monday, our CAST Our CAST members performed monologues drawn from plays (many of them one-character shows) featuring characters from real life.  The performers provided the following glimpses of fascinating people–

CAST Coach/Performer Sue Wurster as Stein

Sue Wurster started off the program with a piece drawn from the play Gertrude Stein Gertrude Stein Gertrude Stein by Marty Martin.  The play, a single-character work, featured Pat Carroll in its off-Broadway run in New York in the ’70s and takes place on the eve of Stein’s eviction from her Paris apartment.  In this portion of the work, she talks about the inner self as well as what she was trying to accomplish in her work.

 

Monique Frank as Emily Dickinson

We then moved back in time (and place) from the Paris of 1933 to the Amherst, Massachusetts of the mid-19th Century.  In this scene from William Luce’s one-woman play, The Belle of Amherst, the reclusive poet talks about her father, her sister, and, of course, her poems.

Bunny Cohen as Amelia Earhart

In 1932, the National Geographic Society awarded its Gold Medal to Amelia Earhart for becoming the first woman (and the only person since Charles Lindbergh) to achieve a solo transatlantic flight.  In this passage from Laura Annawyn Shamas’ one-woman play, Amelia Lives, the aviatrix reflects with some amazement upon the extraordinary public response to her flight as she accepts the medal for her achievement.

Becki Norman as Vivien Leigh

In Marcy Lafferty’s one-woman show, Vivien Leigh: The Last Press Conference, drawn from the Leigh’s own words, we are given a portrait of the troubled and gifted actress not long before the end of her life.  Here, she talks about her most determined campaigns in life:  marrying Laurence Olivier and landing the role of Scarlett O’Hara.

Eileen Mitchell as Eva Peron

In a very unusual piece, First Lady, playwright Erica Christ has provided a unique look at the woman who used her position as Argentina’s first lady to fight for women’s rights and care of the poor. Here, Peron (after her death) reflects upon what it means to be a woman in Argentina…and more.

Sandy Clifford as the irrepressible Molly Ivins

Twin sisters Margaret and Allison Engel have provided a vivid image of brassy Texas newspaper columnist Molly Ivins in their one-woman play, Red Hot Patriot: The Kick-Ass Wit of Molly Ivins.  In this portion of the play, Ivins turns her humor on Texas politics as she tries to write about her father.

Bette Winer as J. Robert Oppenheimer

A scientist herself, Bette Winer was drawn to this particularly powerful monologue from Carson Kreitzer’s compelling play, The Love Song of J. Robert Oppenheimer.   In this passage, the scientist reflects upon the volatile age that he and his Los Alamos crew ushered in when they invented the modern devil, the atomic bomb.

The Cast of CAST’s “Going Solo” Presentation

So, is CAST a closed group?  NO.  Does one have to audition in order to be involved?  NO.  What if you’ve never been on stage in your life but are kind of interested in maybe trying some acting–is this something you could join?   YES!  And so, how would you go about doing that?

Just watch the Bulletin for announcements of our upcoming meeting times (next at BOLLI on Thursday, January 5 from 12:00 – 1:30) when we engage in lots of fun activity–we do some warm-ups, play some theatre games, engage in some improvisation, read scenes and/or plays, and so on.  No experience necessary–just a desire to have some creative fun!

Want to know more about BOLLI’s Special Interest Groups?  Click here:  https://dl.dropboxusercontent.com/u/33972419/SIGS.pdf

CAST-ing Our Lines! Another New BOLLI Special Interest Group

Dropping by the BOLLI Gathering Space at 60 Turner Street on a Tuesday afternoon, you might find some unusual activity underway as CAST members work to discover, develop, and refine their performance skills in the dramatic arts.

An outgrowth of BOLLI’s long-standing “Scene-iors” Acting Troupe (an annual springtime course offering in which participants work on and present a staged reading of a play for the BOLLI community-wide audience), CAST provides interested members with opportunities to engage in a variety of creative drama/theatre exercises and basic acting work.

During each CAST session, the group does some warm-up pantomime followed by improvisation, concentration, and observation exercises. The techniques explored are then applied to short scenes from short stories, novels and plays as well as poetry.

Recently, after a rousing session of pantomimed catch and jump rope, the group was split into two sections who were each charged with the task of creating tableaux highlighting “the key moment” in its well-known fairy tale. Of course, at BOLLI, this meant first spending several minutes in highly animated intellectual discussion and debate about which moments in these tales are truly seminal. (In “Red Riding Hood,” for example, is it when the wolf gobbles up Red? Or is it when the Woodsman arrives on the scene? In “Cinderella,” is it when Cindy loses her slipper or when the Prince arrives to try it on the Ugly Stepsisters?) The intensity and commitment to the work were palpable.

Later in that session, various “misunderstood” fairy tale characters appeared on an improvised Dr. Phil-like television talk show to air their woes. Here, Snow White’s Queen (Judy Blatt) and Cinderella’s Stepmother (Sandy Clifford) share their frustrations with their television audience.

MALIGNED MOMS Snow White's Queen (Judy Blatt) and Cinderella's Stepmother (Sandy Clifford)
MALIGNED MOMS Snow White’s Queen (Judy Blatt) and Cinderella’s Stepmother (Sandy Clifford)

During another session, we delved into the importance of “focus” in setting any scene and applied what was learned about the use of the eye to scenes offering particular “focal” challenges. Becki Norman, Monique Frank, and Eileen Mitchell (below) take some planning time to determine how to approach George’s Marvelous Medicine by Roald Dahl, a story in which young George’s Grandmother downs a dose of quite a nasty concoction which gives her such a jolt of energy that she shoots up to the ceiling where she is suspended for some time.

GEORGE 1
SETTING THEIR SCENE Becki Norman, Monique Frank, and Eileen Mitchell

 

GEORGE
George (Monique) is stunned to see Grandma (Becki) in robust, rising movement.

Another group—consisting of Irwin Garfinkle, Judy Blatt, and Bunny Cohen—took on the challenge provided by The Fruit at the Bottom of the Bowl, a short story by Ray Bradbury in which a man who has just committed a murder becomes completely obsessed with removing his fingerprints from every inch of the man’s home.

FRUIT
OBSESSION TAKES HOLD Irwin Garfinkle, Judy Blatt, Bunny Cohen

FRUIT 2

After the two groups viewed each other’s work, Bunny broke into a huge smile. “This is so much fun!” she said to the rest of the CAST. Then she grinned.  “Remember when we used to just stand there and read?”

The group will continue to meet on Tuesdays throughout August and then, when the new term begins, will switch to a Friday time. Watch the weekly Bulletin for meeting announcements—any interested BOLLI member is welcome to CAST a line at any point!

BOLLI’S NEW BOOK CLUB

YES, BOLLI NOW HAS A BOOK CLUB!

Seems like such a natural for BOLLI, doesn’t it?   And yet, BOLLI’s Book Club has only recently been added to an ever burgeoning array of Special Interest Groups at 60 Turner Street.  Abby Pinard and Charlie Marz have been active in both the New Yorker Fiction Salon, focused on short stories, and the Poetry Circle.  Both are avid readers as well, and so, it seems as though it was a completely logical step to team up and lead a BOLLI-wide Book Club.   When asked about the forming of the group, the two had much to share.

> What made you decide to start the group?

Charlie: I wanted to be in a book group in which I had some greater control over the choices made.  Not that we’re not completely open to others’ suggestions, but I did want to be able to exert some significant influence over what we might read. I didn’t want to do it alone and thought co-leading with Abby, one of BOLLI’s most voracious readers, would make it more interesting and enjoyable – for me and for those who attend.

Abby: It was an easy decision for me when Charlie suggested it. I love to talk about books almost as much as I love to read them, and I knew there were many BOLLI members who would be ideal companions. I had gotten to know Charlie in the New Yorker Fiction Salon and the Poetry Circle (also venues for lively discussion), and I knew his leadership would elevate any discussion.

> Have you been in other book groups?  

Abby:  I’ve never been in a private book group, but, after retirement, I started attending a drop-in group at the library led by a wonderful professional book group leader (yes, there is such a thing). I came to trust her selections and particularly enjoyed the books I would not have chosen on my own.

Charlie: I’m in a non-fiction book group.  Mostly, we don’t talk about the month’s selection.  Almost every conversation becomes a discussion of politics, more often than not the Middle East.  I thought it might be time to find an opportunity to actually talk about interesting and provocative contemporary literary fiction.

> How did you go about choosing the books that you have chosen for the group thus far?

Charlie:  So far, they’ve been a mix of books we’ve read and felt would be good for discussion (Stegner’s Crossing to Safety) and books from our stacks of books we’ve not read but that have been well received (Schlink’s Homecoming and Erdrich’s The Round House).  We’ve also tried to focus on work that is relatively accessible (i.e. in paperback and without long wait lines at the library), relatively short (200-300+ pages), and by important if sometimes overlooked writers.

Abby:   We also wanted to mix things up: something old, something new, some challenging, some less so,…

> What plans do you have for the future of the group?

Charlie:  Our hope is that we will continue to meet monthly throughout the year and that there will continue to be a group of 15 – 20 who find the books selected and conversation sufficiently interesting to trust our choices and to return as often as possible.

Abby:  What he said.

> So, what are some of your all-time favorite books?

Abby:   Here are a few, spanning many years–The Tin Drum by Gunter Grass, Earthly Powers by Anthony Burgess, the four “Rabbit” novels by John Updike, One Hundred Years of Solitude by Gabriel Garcia Marquez, The Thousand Autumns of Jacob de Zoet by David Mitchell, The Sot-Weed Factor by John Barth, anything by Philip Roth,…

Charlie:   Hard enough to remember what I read last week.  I suppose McMurtry’s Lonesome Dove, Chabon’s Kavalier and Clay, early John Irving, McKewan’s Atonement

Clearly, these two have excellent taste, and each gathering of the group is sure to be an animated and engaged one.  Come once–come regularly.  And enjoy!

 

 

BOLLI’s New BOOK CLUB

BOLLI’s New BOOK GROUP

With Charlie Marz and Abby Pinard

 We’ve compiled a selection of diverse and fascinating novels for your post-semester enjoyment. Read the book, bring lunch, and join us for a lively discussion!

Tuesday, June 7 at 10:30 in the Blue Room

Homecoming

Homecoming by Bernhard Schlink (author of The Reader):   A thought-provoking novel about a German scholar’s search for the truth about his father’s role in World War II.

 

Wednesday, July 6 at 12:30 in the Blue Room

Crossing to SafetyCrossing to Safety by Wallace Stegner: A deeply affecting portrayal of enduring marriage and the lifelong friendship of two very different couples.

 

 

Tuesday, August 9 at 12:30 in the Blue Room

The Round HouseThe Round House by Louise Erdrich: The National Book Award winner about the struggle of a teen-age boy to come to terms with violence and injustice on a North Dakota Ojibwe reservation.

 

For more information contact Charlie Marz (cmarz@rcn.com) or Abby Pinard (apinard@snet.net).

OUR SCENE-IORS PRESENT: “THE DINING ROOM” by A.R. Gurney

The Scene-iors end-of-term staged reading presented on Thursday, May 19 was, indeed a hit, and, for the first time, BOLLI members who may not have been in attendance, can see a variety of photos of the production–provided by Bunny Cohen and Allan Kleinman.  (Let your cursor hover over a picture to see its caption.)

Welcome to The Dining Room by A.R. Gurney!

The group would love to see your comments–use the box below!