JANUARY “BOOK NOOK”: Two BIG Novels

As the winter cold sets in,  Abby offers ideas for some good long-term reading time.   Here are two items you may have either missed along the way or might simply want to re-read.

THE FORSYTE SAGA

John Galsworthy, 1921

“He had long forgotten the small house in the purlieus of Mayfair, where he had spent the early days of his married life, or rather, he had long forgotten the early days, not the small house, – a Forsyte never forgot a house – he had afterwards sold it at a clear profit of four hundred pounds.”

There you have it. Nine hundred pages of delicious soap opera wrapped around sly commentary on the acquisitiveness and striving of the British upper-middle classes around the turn of the twentieth century. The Forsytes aren’t landed aristocracy like Lord Grantham of “Downton Abbey.” They’re only a couple of generations removed from farmers. But they’ve been successful in trade, in publishing, at the bar, and they live in ongepotchket Victorian splendor, faithfully served by retainers and housemaids, in London and its environs.

Galsworthy was himself the product of a wealthy family and trained as a barrister before traveling abroad, meeting Joseph Conrad and envisioning a different life. He fell in love with the wife of his cousin, an army major, and married her after a ten-year affair and her eventual divorce. He was among the first writers to deal with social class in his work and to challenge the mores and ideals reinforced by the Victorian writers who preceded him. Notably, but not surprisingly given his personal life, he defied the standard view of women as property and defended their right to leave unhappy marriages.

“’I don’t know what makes you think I have any influence,’ said Jolyon; ‘but if I have I’m bound to use it in the direction of what I think is her happiness. I am what they call a “feminist,” I believe…I’m against any woman living with any man whom she definitely dislikes. It appears to me rotten.’”

It is the unhappily married woman referred to here around whom much of The Forsyte Saga revolves. Irene (I-reen-ee), disastrously married to a “man of property,” is the antithesis of a Forsyte. She represents beauty and art and passion and free will. Before reluctantly marrying Soames Forsyte, she extracted a promise that he would let her go if it didn’t work out. His failure to do so drives the story and a multi-generational family estrangement. While Galsworthy thoroughly develops the other primary characters, Irene is a beautiful cipher at the center of the novel. We never get her point of view; we see her through the eyes of others and can only infer her thoughts and feelings.

The Forsyte Saga features a huge cast of characters but the family tree that accompanies most editions is needed only at the beginning. To Galsworthy’s credit, we quickly get to know the main characters and the chorus of peripheral relatives that swirl around them. There are births, deaths, betrayals, couplings, uncouplings, recouplings, and generational upheaval, all conveyed in deft, eminently readable prose, a short 900 pages. This is a sumptuous wallow of a book with redeeming social value.

EARTHLY POWERS

Anthony Burgess, 1980

A monumental novel that stuck in my mind for thirty years as an all-time favorite but needed to be reread to remind me why. An octogenarian British writer, said to be loosely based on W. Somerset Maugham, is tasked to attest to a miracle that will support the canonization of a Pope and writes his memoirs, giving us a personal tour of the 20th-century through his life as a homosexual, lapsed Catholic, successful but mediocre writer, and exile. Examines morality, the nature of evil, the role of religious belief and more. Linguistically playful and full of historical inaccuracies courtesy of its unreliable narrator, the novel features one of the best opening lines in literature* (sure to send you to the dictionary), and is funny, painful, thought-provoking, entertaining, challenging and rewarding. Shortlisted for the Booker prize in 1980, it often appears high on lists of best British fiction of the late 20th century.

*”It was the afternoon of my eighty-first birthday, and I was in bed with my catamite when Ali announced that the archbishop had come to see me.”

 

Screen Shot 2016-03-10 at 8.50.58 PM
“Book Nook” feature writer and Book Group co-leader, Abby Pinard

Abby is a lifelong book nut who retired from a forty-year computer software career in 2007 and ticked an item off her bucket list by going to work in a bookstore. She is a native New Yorker who moved to Boston recently to be among her people:  family and Red Sox fans.  She is a music lover, crossword puzzler, baseball fan, and political junkie who flunked Halloween costumes but can debug her daughter’s wifi.

 

 

 

 

BOLLI’S PHOTO GROUP: Getting the Picture

During the Fall Term, the BOLLI Photo Group treated us all to a glimpse of their activities in a wonderful lunchtime presentation.  It helped to introduce this very popular Special Interest Group to the membership as a whole and highlighted some of its activities.

Group organizer Joanne Fortunato kicked off the presentation with some images from the group’s October trip to the deCordova Sculpture Park and Museum.  She focused, in particular, on one outdoor installation called “Lincoln”  One would think the photographers’ images would all be quite similar considering that they were shooting the same thing.  But, clearly, this is never the case!  Note how very original these shots are!

Miriam Soybel
Miriam Soybel
Mel Markowitz (shooting Dick Hanelin)
Dick Hanelin
Joanne Fortunato
Joanne Fortunato
“Weathered” by Steve Schwartz
“Rabbit Hole” by Steve Schwartz
“Out of the Darkness” by Steve Schwartz

Other members of the group presented aspects of their work for the BOLLI lunchtime audience.

Linda Brooks shared her “Photography Projects with a Focus.”  She particularly likes working with themes and, after her “Windows and Doors Calendar” (which you can find on the blog by scrolling through SIG “Photo Group” items), she started creating books, including a dog story for children.  She photographed the 30 day gestation period taking place in the robin’s nest outside her kitchen window, and is now into flowers.

Helen Abrams provided “Photographing Trees: A Personal Journey.” As a docent at Mt. Auburn, she has an excellent opportunity to check out a huge number of different types of trees and focus on their fascinating differences–their twisted trunks and branches, their leaves…in all sorts of light.  She says that they eventually start to look like they’re going to move!  (You can find one leg of this journey in a very early blog item by scrolling back through the SIG “Photo Group” items.)

Steve Schwartz showed “Interpretations: Familiar and Artistic.”  He says that, as a CPA, photography fulfills his fascination with the intersection of precision and feelings.  His work, exemplified by his “Lincoln” photographs above, clearly does just that!

And, finally, the irrepressible BOLLI photo enthusiast/SGL/and field trip leader extraordinaire Arthur Sharenow rounded out the event by providing “Tips for Taking Good Pictures,” sharing some hits and misses.  Always a treat!

The group meets on one Friday afternoon per month–check the BOLLI calendar for meeting dates/times.  At each meeting, the group takes time to critique each other’s work, share ideas, and plan events.  Any interested BOLLI member–from beginner to professional–is welcome!  Coming up, another photography show featuring works by members of the group will be installed in the Purple Room for the spring term.

Want to know more about BOLLI’s Special Interest Groups?  Click here:  https://dl.dropboxusercontent.com/u/33972419/SIGS.pdf

 

 

“RADIO FREE BOLLI” RETURNS TO RAVE REVIEWS!

“RADIO FREE BOLLI” RETURNS!

“Home Cooking Jazz” DJ’s Judith Stone and Nancy Connery with Trivia Maven Sue Wurster

After the successful launch of our term’s end “Radio Free BOLLI” show last spring, the cast and crew returned for an even more spectacular lunchtime presentation on Tuesday, December 6.  For the uninitiated, “Radio Free BOLLI” features the dulcet tones of members Judith Stone and Nancy Connery who provide a weekly “Home Cooking Jazz” show on Monday afternoons from 1-3 on the Brandeis station WBRS 100.1 FM.

This time around, Judith and Nancy–teamed, once again, with Sue as trivia maven, Emily Ostrower as show manager, and Megan Curtis as technician–provided a stroll down “The Great White Way” with Broadway numbers from shows spanning the decades.  All along the way, BOLLI members won amazing prizes in the form of stunning, top-quality plastic refrigerator magnets–but the event ended with a grand prize drawing in which members won places in our winter seminars and even a spring term membership!

As the show got going, the audience did too–eventually just breaking out into a Broadway sing-along thoroughly enjoyed by one and all!  It was an afternoon of hooting, humming, and simple hilarity–so watch for the springtime version of “Radio Free BOLLI!”

Steve Messinger nails a trivia question for a round of enthusiastic applause.
Steve Messinger nails a trivia question for a round of enthusiastic applause.
Sophie Freud, Naomi Schmidt, and Joyce Holman relish a
Sophie Freud, Naomi Schmidt, and Joyce Holman relish a “South Pacific” moment
Harriet Gould and Libby Saks join the hilarity as Phyllis Freeman and Susan Bradford, in the background, prepare to take the next trivia question.
Harriet Gould and Libby Saks join the hilarity as Phyllis Freeman and Susan Bradford, in the background, prepare to take the next trivia question.
Lynn Chernoff and Hella Hakerem inspect the high quality, rare, artistically arresting refrigerator magnet awarded for correctly identifying a number from The Pajama Game.
Lynn Chernoff and Hella Hakerem inspect the high quality, rare, artistically arresting refrigerator magnet awarded for correctly identifying a number from The Pajama Game (or maybe it was Cats…)
And, finally, show manager Emily Ostrower holds the winning ticket for
And, finally, show manager Emily Ostrower holds the winning ticket for “Radio Free BOLLI’s” Grand Prize spring membership winner!

Be sure to join us for our spring edition of “Radio Free BOLLI” when we return to Broadway’s Golden Age for another rousing sing-along and trivia fest!

radio-free-bolli
The “Radio Free BOLLI” Production Crew

From left, our crew consists of Megan Curtis, Technical Director; Sue Wurster, Trivia Maven and “Gypsy” Dancer; Nancy Connery, Co-Creator and DJ Deluxe; Emily Ostrower, Production Manager and Prize Guru; and Judith Stone, the Other Co-Creator and DJ Extraordinaire.

CAST PRESENTS: “Going Solo”

During the last week of the fall term, the BOLLI Membership Committee sponsored lunchtime presentations celebrating ourselves and our activities, providing our fellow BOLLI members with entertainment, discussion, and more!  First up, that week was our intrepid group of actors providing a program called “Going Solo.”

                                                                 CAST                                                                               (Creative Acting, Storytelling, and Theatre)On Monday, our CAST Our CAST members performed monologues drawn from plays (many of them one-character shows) featuring characters from real life.  The performers provided the following glimpses of fascinating people–

CAST Coach/Performer Sue Wurster as Stein

Sue Wurster started off the program with a piece drawn from the play Gertrude Stein Gertrude Stein Gertrude Stein by Marty Martin.  The play, a single-character work, featured Pat Carroll in its off-Broadway run in New York in the ’70s and takes place on the eve of Stein’s eviction from her Paris apartment.  In this portion of the work, she talks about the inner self as well as what she was trying to accomplish in her work.

 

Monique Frank as Emily Dickinson

We then moved back in time (and place) from the Paris of 1933 to the Amherst, Massachusetts of the mid-19th Century.  In this scene from William Luce’s one-woman play, The Belle of Amherst, the reclusive poet talks about her father, her sister, and, of course, her poems.

Bunny Cohen as Amelia Earhart

In 1932, the National Geographic Society awarded its Gold Medal to Amelia Earhart for becoming the first woman (and the only person since Charles Lindbergh) to achieve a solo transatlantic flight.  In this passage from Laura Annawyn Shamas’ one-woman play, Amelia Lives, the aviatrix reflects with some amazement upon the extraordinary public response to her flight as she accepts the medal for her achievement.

Becki Norman as Vivien Leigh

In Marcy Lafferty’s one-woman show, Vivien Leigh: The Last Press Conference, drawn from the Leigh’s own words, we are given a portrait of the troubled and gifted actress not long before the end of her life.  Here, she talks about her most determined campaigns in life:  marrying Laurence Olivier and landing the role of Scarlett O’Hara.

Eileen Mitchell as Eva Peron

In a very unusual piece, First Lady, playwright Erica Christ has provided a unique look at the woman who used her position as Argentina’s first lady to fight for women’s rights and care of the poor. Here, Peron (after her death) reflects upon what it means to be a woman in Argentina…and more.

Sandy Clifford as the irrepressible Molly Ivins

Twin sisters Margaret and Allison Engel have provided a vivid image of brassy Texas newspaper columnist Molly Ivins in their one-woman play, Red Hot Patriot: The Kick-Ass Wit of Molly Ivins.  In this portion of the play, Ivins turns her humor on Texas politics as she tries to write about her father.

Bette Winer as J. Robert Oppenheimer

A scientist herself, Bette Winer was drawn to this particularly powerful monologue from Carson Kreitzer’s compelling play, The Love Song of J. Robert Oppenheimer.   In this passage, the scientist reflects upon the volatile age that he and his Los Alamos crew ushered in when they invented the modern devil, the atomic bomb.

The Cast of CAST’s “Going Solo” Presentation

So, is CAST a closed group?  NO.  Does one have to audition in order to be involved?  NO.  What if you’ve never been on stage in your life but are kind of interested in maybe trying some acting–is this something you could join?   YES!  And so, how would you go about doing that?

Just watch the Bulletin for announcements of our upcoming meeting times (next at BOLLI on Thursday, January 5 from 12:00 – 1:30) when we engage in lots of fun activity–we do some warm-ups, play some theatre games, engage in some improvisation, read scenes and/or plays, and so on.  No experience necessary–just a desire to have some creative fun!

Want to know more about BOLLI’s Special Interest Groups?  Click here:  https://dl.dropboxusercontent.com/u/33972419/SIGS.pdf

JANUARY TECH TALK WITH JOHN RUDY: PHISHING

DON’T FEED THE PHISH!

By John Rudy

Many of you have heard the term Phishing.  And phishing works like this.  You receive an email that looks like it came from a company you trust.  Typically, it indicates that there is a problem with your account and asks you to click on a link to resolve it.  Sometimes, it indicates that you have a gift waiting for you and asks you to click to receive it.  Any time you receive an unsolicited email like this, you should be suspicious.  Is it really from a site you can trust?  Once you click on one of its links, it is too late.  So, Message #1 is Do Not Click.

Then, look at the email address it came from.  In many cases, the words after the @ do not look  like those from the website you know.  Let’s take a simple example.  If you use PAYPAL, you know that their site is www.paypal.com.  I recently received a message, purportedly from PayPal, which came from noreply@gator4248.hostgator.com.  I think we can all agree that this doesn’t look as if it came from PayPal.  Recently, there have been a lot of phishing attacks purportedly from Amazon and PayPal.  Kim Komando has written an excellent article which should be required reading:   http://www.komando.com/happening-now/382417/top-story-paypal-and-amazon-phishing-scams-spreading-now/all

Kim Komando’s newsletter is free, and I recommend signing up to receive it.

BOLLI Tech Talker John Rudy
BOLLI Tech Talker John Rudy

John Rudy, a long time computer expert and guide, provides his helpful hints in this monthly BOLLI Matters feature.  In the comment box below, provide questions on this month’s or any other computer/tech topic that you’d like to know more about in future Tech Talk articles.

john.rudy@alum.mit.edu (781-861-0402

 

THE CHEF’S CORNER with John Rudy: Tiramisu

We discover all sorts of interesting aspects as we get to know our BOLLI colleagues–who knew that John Rudy is not only a  knowledgable “techie” but an accomplished “foodie” as well?!    We at BOLLI Matters are pleased to introduce our new FOOD FEATURE–  

TIRAMISU

When in Italy for our 20th anniversary (1988) we had Tiramisu, a tasty creamy dessert, made from dozens of different recipes–including Tiramisu ice cream!  When we returned, we scoured the Italian cookbooks looking for a Tiramisu recipe but didn’t find anything that sounded right.  Then, for our daughter’s Bat Mitzvot, we asked our caterer to make one.  It was excellent, exactly what we wanted, but he refused to divulge any recipe details.

After continuing to look, in a casual way, over the years, we started to see tiramisu recipes, but, again, none were really quite right.  So,  I decided I’d try modifying a recipe I found–I omitted the wine and used sponge cake instead of lady fingers.  I contacted a local gourmet shop to find the Mascarpone cheese.  They asked if I was making Tiramisu.  When I said “yes” and that I wasn’t happy with my recipe, the fellow said that he was teaching an Italian cooking course and would be teaching Tiramisu the following week.   What follows is an amalgam of my recipe, his recipe, some things found in cookbooks, and a number of personal changes.  There are hundreds of different recipes available.  Many use brandy, Marsala wine or Amaretto, none of which taste right to me.  Very few use chunks of chocolate.

Tiramisu has a cake portion (I use home-made sponge cake; traditionalists use lady fingers which are dry), a coffee-liquor mix, and a cheese mix.  Make Tiramisu at least a day before so that it has time to sit.  Remove it from the refrigerator 1 hour before serving.

The following is enough for a Pyrex 8”x8” pan plus a Pyrex 9”x14” pan.  I use glass pans.  It takes ~2½ hours to make this dessert.  (If you want to use only the larger pan, use two-thirds of the following ingredients.)

The Cake

8                   Eggs, separated, at room temperature

2 cups        Flour, sifted BEFORE measuring

2 cups        Sugar, granulated

2 tsp.         Vinegar, white  (it causes the sponge cake to rise; but                                    leaves no taste)

  1. Beat egg whites in a large bowl until fluffy; slowly beat in sugar.
  2. Separately, mix yolks and vinegar;  beat slowly into whites.
  3. Sift flour, then measure, and sift into batter while slowly beating the egg-sugar mixture.
  4. Pour half of the mixture into the two pans. Do not flour or butter the pans.  Pour the other half of the mixture into an11x17x1 cookie sheet, which has been lined with wax paper.  This will later be used for the top layer.  If you use a smaller pan, it will not cover both surfaces.
  5. Bake at 350° for about 12-15 minutes, until a toothpick poked into the cake’s middle comes out clean.  Do not be surprised if the pans take different amounts of time.
  6. Cool the glass pans upside down so that the sponge cake does not shrink.

Soaking the Cake

2 cups        Cold Coffee  (the stronger the better)

¾ cup         Crème de Cocoa  (you could use another liquor)

As evenly as possible, pour half (or a bit less) into the two cake pans, onto the sponge cake.  This will be the lower half of the cake.  Save the remaining liquid.

Cheese Mixture

24 oz         Marscapone cheese.  (room temp).  Can use the microwave                      to soften but not for more than 15 seconds for an 8 oz                                  container

6                Eggs, separated

8 oz           Chocolate, bittersweet, coarsely chopped  (Guittard semi-                       sweet Super Cookie Chips or Nestles Chunks work well).

2/3 cup     Sugar, granulated

  1. Beat egg whites until fluffy.
  2. Whisk egg yolks in double boiler with very hot, but not boiling, water. Whisk in the sugar.  Cook for a few minutes.  Ensure that the yolks do not turn hard by whisking constantly.
  3. Mix in the egg whites and then stir in the softened Marscopone cheese. This will be very tight in the double boiler!  You may find it easier to add these ingredients to the larger egg-white bowl for blending, and then return the mixture to the double boiler for about 5 minutes.
  4. I use the extra large chocolate pieces for chocolate chip cookies and might chop some pieces. Fold the chocolate into to the mixture and remove from the heat.  Otherwise the chocolate will melt.  Or could sprinkle the chocolate after pouring the cheese mixture.
  5. Spread the cheese mixture over the soaked sponge cake.

Finishing it off

1 pint         Cream, whipping  (beat cold, in cold bowl)

¼ cup        Sugar, granulated

1 tsp          Cocoa, un-sweetened  (can use regular cocoa or flaked chocolate)

  1. Take the waxed paper off the other piece of sponge cake and cut it so that it fits over the cheese mixture in the two pans.
  2. Pour the remaining coffee-liquor mixture over the cakes so that it soaks in.
  3. Whip the cream and sugar and, using a rubber spatula, spread over the two cakes covering any cracks in the sponge cake and also keeping in the moisture. Use a sponge to clean the edges.
  4. Sprinkle the cocoa over the cakes for decoration. This is done most easily by putting the cocoa into a fine-mesh sieve and tapping the sides while moving it over the cake.  Use a sponge to wipe the sides of the pans, removing any extra whipped cream and cocoa.  Cover carefully with Glad Wrap
  5. Let sit, covered, refrigerated, for at least 24 hours before serving. Remove from the refrigerator 1 hour before serving.  This dessert can be frozen
  6. It should really be covered, but plastic wrap can damage the top. Sometimes I just put wax paper over it–it is usually eaten before it dries out.
Chef John Rudy says that his mother inspired his lifelong love of cooking and baking. (She cooked vegetables in boilable packages.)

Need Help with Medical Equipment? A Suggestion from John Rudy

As we mature, we increasingly need Durable Medical Equipment including items like canes, wheelchairs, crutches, and more.  After surgery or an accident, we may need such devices.  Sometimes, these items may be available either free or with a co-pay through Medicare or other insurance.  There is another solution possible in the greater Boston area–The Massachusetts Masons.             

The Massachusetts Masons are located at 500 West Cummings Park, Suite 1150, in Woburn.  (Take Route 128N, get off at Washington Street, Exit 36, and take a RIGHT.  Go about 1/2 mile and turn right when you are opposite Staples.  Bldg 500 is in the back of the enclave). They are open ONLY from 9-12 on Saturdays, and the line moves very fast.  While I was there, I saw wheelchairs, walkers, canes, and shower chairs taken.  If you need something a bit more unusual, call 781-322-1052 before showing up.  I was told that they have 30,000 pieces in circulation and ask that you return what you borrow.

I have been successfully able to use the Masons as a source three times.  I was even able to get a Hoyer Lift for my mother, something that would normally cost about $800.  They ask that you return items when they are no longer needed and are happy to receive donations.

 

 

DECEMBER SENIOR MOMENT: ELLSVILLE

This month, Liz David reflects upon having had to make an important decision…one that many of us have either had to make or may face in the coming years.  As always, she shares her experience with warmth and sensitivity.

ELLSVILLE

By Liz David

When I was pregnant with our fourth child, Ted, in 1969, Barry and I
bought a piece of land south of Plymouth in Manomet.  It was a ¼ acre lot on a bluff overlooking Cape Cod Bay.  We could see, seemingly forever, from the sweep of the Cape at Plymouth to PTown.

We built a Stanmar four-bedroom house with floor to ceiling glass sliders facing the view.  It was an easy to maintain, efficient second home.  Facing the water, a small grassy area led to a flight of seventy-seven stairs.  Standing on the landing looking down and across the view, it felt like we could take flight!

In Manomet, the coastline is rugged–with sand, pebbles, rocks, shells, boulders, forlorn broken lobster traps and buoys.  Oh, and don’t forget the seaweed. Ted collected buoys which were hung around the house on the deck.

In 1972, our fifth child was born, and our family was complete: four sons and a daughter–Jon, Larry, Marc, Ted, and Betsy.  I told Barry I would not be a weekend wife, and he agreed, arriving in time for dinner most nights, braving the traffic from his office in Waltham.

We did what most families do at the beach. We sunbathed, swam, boated, entertained guests, entertained guests, and entertained guests. We had a permanent guest for about 7 years–my mother, Violet.

As time went by, the children grew up. Imagine that!  Barry and I decided to sell the house and look for another in the same general area. We didn’t want to have to deal with the Sagamore Bridge traffic to get to our 2nd home. We thought that maybe, just maybe we would find a home to retire to.  After about a year, we found just the place in Ellisville, South of Manomet. Ellisville was originally a Native American settlement used for fishing and farming, and, later, for many years, it was a fishing village with an inlet that provided safe harbor.

I knew when we approached the house and sat in the car at the top of the driveway that this was the place.  We could see through the windows of the house that it had an expansive view overlooking a marsh that stretched out to the sea.  It was–and, of course, still is–breathtaking.  The house became a home in ways that the first house did not, at least in appearance.  It was built for permanence.  The bedroom was my favorite room.  We could see the sunrise and the moonglow from the bed.  I told Barry, “this is where I want to die.”

Well, it’s not where I’m going to die because  the second home in Ellisville became too much to manage, and we decided to sell rather than move so far away from our family.   Ted, who was born in 1969, is now 47 and  lives in Lincoln with his precious family–his wife Nandini and  daughters  Maya, Mira and Lakshmi.  That is the best reason for staying put!

I wrote the following poem shortly after the sale.

 

AFTER THE SALE

With Recognition to Edna St. Vincent Millay

With my eyes closed I see the sea                                                                      Soft waves undulating toward the shore                                                      Sails flapping, ships calmly traveling in the distance

Closer by – the breeze brushes the marsh grass

Soft green in Summer                                                                                                          Rust in Autumn                                                                                                                      Dull gray as Winter sets in

Herons stretch their graceful necks

Egrets step daintily – feeding                                                                                        Swans a swimming – regal, aloof                                                                                  Crows perched in the trees – calling in conversation

And the hummingbirds fluttering in their perennial dance

With my eyes closed let me pretend                                                                 That the rustle of the leaves in the wind in Sudbury                                     Is the sound of the sea in Ellisville

*

Eleanor and Liz
“Senior Moments” feature writers Eleanor Jaffe and Liz David

Liz says…Years ago, when we were in our 40’s, my husband and I bought a sundial with the saying “grow old along with me–the best is yet to be.”  I’m not sure whether or not I believed it then, and I’m wondering whether I believe it now. Stay tuned.

WHAT’S ON YOUR MIND? Sandy Miller-Jacobs Reflects on “The Times”

One way for us to meet each other is by sharing what’s on our minds with the BOLLI community as a whole.  So, here’s the beginning of a BOLLI Matters “What’s On Your Mind?” feature–Sandy Miller-Jacobs recently wrote this piece for Marjorie Roemer’s memoir writing class, “Constructing Our Stories,” in which the prompt was for us to focus on a “refrain” from some point in our younger years.  Sandy took a political turn with this one, and we all felt that, with an inauguration coming up, we might all be interested in what’s been on her mind.

“The Times They Are A-Changing”

by Sandy Miller-Jacobs

       On January 20, 1960 our grandfatherly US President Eisenhower turned the office over to the young, handsome, and dynamic President John F. Kennedy. It was snowing hard, and, much to my delight, it was a snow day! For the first time, I watched, with my mother, the whole inauguration on TV. Robert Frost read a poem right from the same podium from which Kennedy would take his oath. Kennedy did not wear a coat or hat despite the cold and stood right where Robert Frost had been to deliver his inaugural address. His words struck me. “The torch has been passed to a new generation.” He may have thought he was talking to his generation, but I knew he was talking to MY generation. The Class of ’63 at Valley Stream North High became Kennedy fans, following his every word. Throughout the rest of our high school days, we watched all his press conferences and talked about them for days after. We were sure Khrushchev would not start a nuclear war, and we were right.

We were “the Baby Boomers” and proud of it. Our rock and roll songs were played on the radio. We watched American Bandstand and learned new ways of dancing.      Our music became our voice, bonding us to the issues of our day – civil rights and, eventually, anti-war protest. In September of 1963, I began my studies at Queens College of the City University of New York. Paul Simon, who had just graduated in June, performed at our freshman orientation. He sang “He was my brother,”  a song he wrote and dedicated to his classmate and friend at QC, Andrew Goodman, who was killed because he wanted Negroes to have the same rights he did – the right to vote, to sit anywhere on a bus or in a restaurant. “The times they were a-changing,”  and the older, white Southern generation didn’t like it one bit.

But we loved it. These songs were about the good my generation was bringing to the US and the world. It was about civil rights, the rights of all Americans. Somehow, Dylan’s song that opened his concert at Carnegie Hall in October of 1963 put it all in perspective:

Come mothers and fathers                                                                             Throughout the land                                                                                                      And don’t criticize                                                                                                        What you can’t understand                                                                                      Your sons and your daughters                                                                                    Are beyond your command                                                                                        Your old road is rapidly aging                                                                                Please get out of the new one if you can’t lend your hand                            ‘Cause the times they are a changing

Yet last month, after so many months of vicious words, of bullying, of misogyny, of fear-mongering against immigrants and Muslims, and veiled anti-Semitism, Donald Trump became the US President-elect.  Yes, “The Times They Are A Changing,” but this isn’t the sixties with hopes of peace.

Bob Dylan, our silent winner of the Nobel Prize in Literature, why didn’t you have a song for us now?  Instead, you left us “Blowing in the Wind.”

*

MEET MEMBER SANDY MILLER-JACOBS is a relatively new member of the BOLLI community, having joined after her retirement from Fitchburg State University where she taught in the Department of Special Education.  

At BOLLI, she has been “reviving” a long interest in photography and has been an active member of the Photo Group.  

TECH TALK WITH JOHN RUDY: Printing

                    GETTING BETTER USE OUT OF YOUR PRINTER                     (and Using Less Paper)

printers

Today, people are concerned about the amount of ink used to print large documents because ink costs more than the printer itself.   Here are some tips for saving ink.  (Note that not all of these fonts may be available to you.)

  1.  Avoid printing in color unless you really need color.  See #3 for directions.

2.  Only use BOLD when you need it; it uses a lot more ink

  1. When you print a document, you have the option to print it in DRAFT.  Depending on the operating system/version and your printer,  there are a number of ways to control this.  After you click on Print, go to Printer Properties.  Then go to Paper Quality and click on Draft.   Also click on Black and White, not color.

draft

  1. Not all fonts use the same amount of ink. My favorite font is Arial because it is so clean and easy to read.  But Times New Roman uses 27% less ink.  Calibri and Century Gothic are also good.  Here, in large letters, is a comparison using 24 point type so it is readable:

 

fonts

  1. This article is written in 12 point type (except for the examples above).  I use 12 point because I find it to be readable with my 71 year old eyes, but you might consider 14 point when printing for seniors or 10 point where you want to reduce the number of pages. Just going to 11.5 point saves about 5% of your ink.
  1. When you print, look at the default margin you are using. You have considerable flexibility. For example: 1” on all sides gives you a 6.5” x 9” area (58.5 square inches).  Using a ½” margin gives you a 7.5” by 10” or 75 square inches or 28% more space per page
  1. On occasion you have a document that goes just over a page. There are also options to “shrink to fit” as well as other approaches.
  1. In Word documents, you have the ability to specify whether you want double space, 1.5 space, or single space between lines.  But you can even make it tighter, like .9 space.  Going to “paragraph,” you have this option and can alter it either for the whole document or for portions of it.
  1. I have noticed that when people respond to emails, they retain the whole previous string. In most cases, that can/should be deleted. This is particularly important if you only want to print the beginning.
  2. Be careful to print only the pages you want.  The other day, I needed to print the confirmation of theatre tickets I had bought. Without thinking, I printed the whole thing; three pages.  But I really only needed the beginning.  It is a good idea to print only those pages you want.  A similar thing happened when I printed a journal paper.  The first 4 pages were the bibliography.

Taking just a little more time to select your printer options with a bit more care can save ink (and money!) in the long run.

BOLLI Tech Talker John Rudy
BOLLI Tech Talker John Rudy

John, a long time computer expert and guide, provides his helpful hints in this monthly BOLLI Matters feature.  In the comment box below, provide questions on this item  or any other computer/tech topic that you’d like to know more about in future Tech Talk articles.

john.rudy@alum.mit.edu (781-861-0402)

Protected by Akismet
Blog with WordPress

Welcome Guest | Login (Brandeis Members Only)