The “Art of Honesty”
March 16th, 2011Anna Khandros
I have seen many speakers at Brandeis University, but one of the most interesting was Mahmood Karimi-Hakak, an Iranian theater director, filmmaker, and poet, who visited campus on February 16th. Having watched his documentary, “Dream Interrupted,” and heard about his Fullbright experiences in Israel, I looked forward to hearing him speak about censorship.
Background: In 1999, authorities in Iran shut down Karimi-Hakak’s about-to-open production of Shakespeare’s Midsummer Night’s Dream. The documentary features interviews with the cast about their experiences with the making, and sudden termination, of the play.
Karimi-Hakak surprised me in that he talked little about his experiences with the closing of the play. Instead, he discussed technology and our world of less and less personal communication; of resistance versus violence; largely of his perspectives on the history of Iran; and, only when asked, about his most unique style of directing. The history part fascinated me most, but it was his passion that captivated me. Without any bitterness, and an almost-vulnerable honesty, Karimi-Hakak spoke of censorship through anecdotes. One of his friends is currently in jail for making a movie about the 2009 presidential election.
What got me thinking most was his approach to, and a subsequent question about the ethics of, opening people up in a closed society. Karimi-Hakak spoke about the “art of honesty” and the vulnerability of acting. It made some of us audience members wonder: is it wrong to encourage openness – sometimes outspokenness – in a country whose government does not tolerate any challenge or dissent?
My first thought is to scream “No, it’s not!” but I’m not sure how to fully explain my feelings that people should always stand up for what they believe in, especially with the arts as a medium for doing so. But I say this knowing that I do not have to deal with any of the consequences. I would love to hear what others think.