Posted by: Editor | 1st May, 2013

Steal Some Sunshine While Earning Credits This Summer

Get Outside While Earning Credits This Summer

Whether you’ve just finished finals or are cramming hard to close out the Spring semester it’s important to start planning for the Summer months. As the weather starts to warm up we’re all looking for ways to get out and experience the beauty of Boston, and what better way to capture that feeling than by taking a course that lets you stretch your creative muscles!

summer classes

summer classes

Starting in Summer Session I, Brandeis’ Film Production I course gives students the opportunity to explore the process of creative storytelling as well as shoot two short films of your very own. Not only is this an opportunity to explore your creative filmmaking side, you’ll also have the freedom to turn the city into your studio.

This summer you can also learn the basics of digital photography techniques and dive into the history of visual arts with the Introduction to Digital Photography. Make the university your muse and explore outside the campus with organized field trips designed to give students a variety of digital canvases.

Looking for an excuse to catch a game at Fenway Park this summer? With a course in Sports Writing you’ll get to learn from the greats that write about the game and test your knowledge with a weekly sporting quiz. Including readings from famed Boston Globe columnists Bob Ryan and Dan Shaughnessy, this course gives you the inside scoop on what it takes to cover a professional team from within.

So start planning your days inside and out of the classroom and get a step ahead of your fall credits with a creative course in the summer months.

Enroll today!

Posted by: anbrooks | 26th Apr, 2013

Imagine the Impossible This Summer

blank Brandeis Art

The Leonard Bernstein Festival for the Creative Arts kicked off yesterday at Brandeis.  The festival, which runs through this Sunday, features work from local and national artists, as well from the Brandeis community.

Highlights of this year’s festival include Late Night with Leonard Bernstein, hosted by Bernstein’s daughter Jamie, with performances by acclaimed soprano Amy Burton and pianists John Musto and Michael Boriskin; the Brandeis Theater Company production of “Visions of an Ancient Dreamer”; and a concert by the Brandeis-Wellesley Orchestra.

Your creative energies need not be subdued at the festival’s end – enroll with Brandeis Summer School to continue your creative pursuits!  No matter what your creative interests are, there is a summer course for you.  Click the links below to see Summer 2013 offerings in:

Some of the great creative arts summer courses include Directed Writing: Beginning Screenwriting where you can produce an outline and first act of an original screenplay.  If you’re more into music, check out our six-day Music Workshops for violinists, clarinetists, oboists, bassoonists, and horn players.  Studio arts offerings range from Into to Digital Photography to Drawing II: Wet Media.

These are just a few of the many opportunities that Brandies Summer School offers.

For more information, or to register for classes, check out the Brandeis Summer School website.

See you at the festival!

Posted by: Editor | 17th Apr, 2013

Registration for Summer School 2013 is Now Open

Register for Summer College Credits Now!

Posted by: anbrooks | 10th Apr, 2013

Faculty Spotlight: Casey Golomski

casey.golomskiBrandeis University Summer School interviewed Casey Golomski, a lecturer in the Anthropology Department at Brandeis.  This summer, Casey will be teaching ANTH127a “Medicine, Body and Culture.” Registration is now open – click here to be directed to the enrollment page.

 

Brandeis University Summer School: How long have you been teaching at Brandeis? 

Casey Golomski: My home is in the Department of Anthropology. I am also Lecturer in Anthropology at UMASS Boston, and I formerly taught at Northeastern University. I matriculated to the Brandeis Anthropology PhD program in 2006 and successfully defended my dissertation this past March, so I will graduate this spring. Last spring I independently convened the course ANTH80a, “Anthropology of Religion.” I otherwise teach regularly “Introduction to Cultural Anthropology,” “Peoples and Cultures of Africa,” and “Watching Film, Seeing Culture.”

BUSS: What courses will you teach this summer? What can students expect?

CG: This summer I will teach ANTH127a, “Medicine, Body and Culture.” This course is a broad yet nuanced introduction to medical anthropology, engaging the social, economic and political dimensions of illness and healing across cultures. I’m very excited for the opportunity to convene this course. I consider myself a cultural anthropologist, but I am very involved in issues of bodies, aging and medicine. In the past, I’ve done work with traditional and Christian spiritual healers in southern Africa, as well as youth and shamanistic healing in the Hmong Diaspora in the US. My current research focuses effects of death and demographic shift from HIV/AIDS on life cycle rites in the the Kingdom of Swaziland. In the course, I’ll share some of these findings and works-in-progress.

To explain the syllabus a bit, we begin with historical precursors to the field, so how earlier scholars were writing about medicine, culture, society and power and consider how they laid certain intellectual foundations we still work with today. I designed a number of interesting case studies modules on: race and medicine the US; health, environment, and ecology, including how we are affected by wind; chronic illness; and even sleep and sleeplessness! This course attracts many students who are Biology, International Global Studies, or Health Science Society and Policy majors or are pre-med, and we are going to interrogate “biomedicine (our own system and understandings of health) and programs and initiatives of “global public health,” as well as learning how undergraduate students in Africa learn to become doctors in some resource deprived settings there. At the end of the course, we consider how to apply our culturally-nuanced findings in practice and public policy. We draw case studies from Anglo-, Hispanic- and Native North, Central and South America, Western Europe, Eastern and Southern Africa, East and South Asia and the Pacific.

BUSS: What is unique about summer courses – either for the students or faculty?

CG: I like the opportunities that summer school schedules provide. While the course is condensed to make up for a full semester’s content, I make sure to stagger the work expectations so students are able to better relish the material. While the readings are pretty equitable across the course schedule, some days will be more concentrated my own material and lectures. Other days use a “conversation circle” format where we each share individually- or group-assigned readings with each other. We will read scholarly and some popular writing which can be a much quicker read, like the best-seller “The Immortal Life of Henrietta Lacks.” I think summer is a good time to catch up on “leisure” reading, and this combination lets students see how books in the library and popular books can converse in interesting ways. We will watch a number of films as well.  Students will have three different options for a final project, including doing their own short ethnographic investigation which a summer course permits more time and freedom to take on.

 

Registration for ANTH127a and all summer course is now open.  Click here for more information, or to sign up!

Posted by: anbrooks | 4th Apr, 2013

Brandeis Summer Facebook Trivia!

If you can answer the question “why is this building famous?”

…then you could win Brandeis gear!

Just “Like” the Brandeis Summer Facebook page and start answering.

There are new photos and new winners each week!

Click here to join the fun!

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