This is Alex Weick touching down from Lava Bear Films in Los Angeles! More specifically Culver City: the film company where I am working this summer is couched in a creative adaptive reuse project, a “campus,” where the plants are deep green and the food trucks are sumptuous. Lava Bear Films is a production and film financing company.
I have various internship responsibilities, but my predominant obligation is to do Script Coverage. Coverage is when you write a synopsis of a script and give your feedback, suggesting whether it be produced, pursued, or thrown in the trash. The ideal is to separate the wheat from the chaff so that higher-ups don’t have to bother with the subpar work agents submit. I pride myself on being both a benevolent giver of constructive criticism and a vicious critic who eviscerates soulful, sentimental work, thus the work is apt. You would be shocked at the amount of typos professional screenwriters submit; rest assured, I believe I could definitely forge a career in this.
I wish I could tell you all more about what I’ve been reading, but it’s all top-secret! I had to sign a waiver and everything! Although part of me wishes I could share, feeling privy to the internal machinations of the film industry is an exciting feeling that I actually relish. This sensation of exclusivity, seeing the gears which modulate Hollywood and the star machine…it is fascinating and inspiring for someone who loves film deeply.
I located my internship through a friend, but I earned the job through my coverage. I encourage people to locate studios which produce work they really appreciate. Be persistent and responsible in your application process. If you want a career in entertainment, there aren’t any other options than to pull out the stops, locate the work you enjoy and find the people facilitating it.
The first week was interesting. Day one I was excited, I can be a tiny bit nervous when I’m excited about an opportunity. Fortunately, it all worked out beautifully. The staff is lovely, diverse, intimately sized (my mentoring is dedicated, hands-on), and my supervisor is wonderful. She’s helpful, she answers all my questions, and is eminently concerned that I am learning and growing during this process. AND she has fabulous music taste!
I’ve learned a fair amount about how business deals are made (hint: lots of discussion) and I’ve re-learnt a cursory life lesson: the necessity of brevity. I, of course, am the queen of redundancy and tangents, but I’ve managed to become more succinct in the coverage I’ve completed so far. You simply can’t afford to babble when there are more important goals to accomplish. Moreover, I think it will help me when I’m trying to produce creative projects and understand how to better pitch and sell stories.
My overarching goals are manifold. First and foremost, I want to further understand what professional niche I intend to occupy. One can only get a limited idea of what a film-career might look if they rely on screenwriting books and hearsay. Being present is vital: seeing who pulls what weight or how I might someday take on responsibilities. Furthermore, I want to build a network in the area. My coworkers have been very supportive about the prospect of a future career here.
Another goal was to figure if I could imagine living in L.A., and let me tell you, I definitely could! The greenery and weather are glorious, the clubs are exponentially better than any in Boston, and the food is delicious (albeit expensive, but c’mon, it’s L.A.!). It feels incredible to be in a community of artists and people who appreciate art. I feel so whole being around tenacious and creatively engaged citizens, even tangentially and indirectly. I could do without the overabundance of fedoras (which are apparently in style here?) but eh, you take the good with the bad.
My final purpose was to do research that will inform my thesis and future writing and certainly, this all will. The density of scripts I’m reading and the coverage I’m writing are improving my writing, particularly my ability to balance literary economies of purpose, production and expression. In the middle of week one, I had a brain surge that revolutionized my thesis. I feel very in touch with my creative soul in The City of Angels.
I even got to go to Lava Bear’s first film premiere! The Rover, starring Guy Pearce and Robert Pattinson, is excellent. Go see it! The movie’s harsh realism was right up my alley. I feel so fortunate to have located a production studio that supports independent, innovative, alternative talent. Also: I made eye contact with Zac Efron at the premiere. It’s puerile of me, but I could have burst into tears. I looked right into the abyss and it inexplicably stared back, filled with promise and potentialities of realizing dreams. I feel confident this is where I should be and fortunate that the WOW has helped make it happen.
So long, WOW’ers and readers. I will return soon to regale you with stories of my travails, and ideally, more celebrity sightings.
Alex Weick — Brandeis University 2015