This summer I’m living in an apartment with some friends in Brookline, Boston. Every day I walk the two miles to my internship at Modulus Studios, where I am furthering my education while pursuing a film degree at Brandeis. Modulus Studios provides high quality post production finishing services for broadcast, advertising and independent cinema. This includes color correction, sound design and authoring DVD’s for theatrical release. Modulus has clients all over the country, and works on a number of projects such as documentaries “Foreign Parts” and “Leviathan.” It is a small company, with less than a dozen employees, but their expertise in film post and audio post is difficult to match.
I have been reporting to a supervisor daily for a briefing on what is expected for my shift each day. Most of my time has been spent observing video and sound mixing sessions, learning through lynda.com and asking questions. I am becoming familiar with the work stations and the different types of software. I will restore stills or audio or video clips, set-up mix projects from OMFs and MOVs, output mixes and splits and QC final deliverables for projects and author and proof DVD’s. On top of the technical work, I will organize daily logs of work and other job info, help keep the studio tidy, clean and ready for client visits. This first week I have worked on some titles for a client’s project with my supervisor in an application called After Effects. After Effects is a motion graphics/special effects software used to animate titles and graphics often in 3D space.
Through my internship with Modulus Studios, I hope to become proficient in multiple forms of editing software. I have experience working with some programs in the Adobe Creative Suite, but I am less familiar with other programs like Avid, Final Cut, Sony Vegas, etc. My supervisor informed me that Modulus deals with a range of clients who use many different editing applications, so employees need to be versed in many different software. If I am not limited to one program, that will make me a much more appealing candidate when applying to jobs next year. I’d also like to write more for the screen this summer, and focus on cinematography as well as directing. To direct, I need a keen eye for minute details in a film. Modulus doesn’t edit down films from raw footage; they receive nearly complete projects that they then perfect. At this point in time, I don’t need to learn how to edit down raw footage. I need Modulus to teach me the difference between quality audio and audio that needs work, or where color in a frame should be corrected. The films I have made in the past lack professional quality, but this summer I will use keen observational skills that I learn at Modulus to make my films look and sound more polished. The higher the quality of my film portfolio, the more I stand out as a job applicant throughout my career.
I am excited and looking forward to what is next with Modulus!