Tag Archives: writers

WHAT’S YOUR STORY? GOLF, OF COURSE

A recent Writers Guild prompt brought this bit of memoir from Steve Goldfinger–for the inveterate duffers in out midst.

Breaking the Ice:  Aye, There’s the Rib!

by Steve Goldfinger

After my early days of hacking around scrubby Dyker Beach, Brooklyn’s only public golf course, I found myself playing The Country Club in Brookline from time to time. Yes THE Country Club, sanctuary of Boston Brahmans plus a handful of their chosen. Its name said it all.

My friend Tom, a fellow academic and ardent golfer, was one of their chosen. A few times a year, he would ask me to join him for 18 holes at this preserve available to but three hundred or so, a far cry from Dyker Beach’s availability to three million.

This time, it was for only nine holes. It was mid-January and the temperature had warmed up to 35 degrees, toasty enough for golf freaks who hadn’t teed up a ball for two months. The Country Club contained an extra nine holes that were kept open year round for such freaks.

Tom brought along his son Jeff, now 15, who was getting interested in the game. I had played with Jeff before, liked him, and was glad he was with us.

The air was brisk and the round uneventful, until we reached the seventh hole. Jeff’s drive put him about 150 yards from the green. I saw him pull a 4 iron out of his bag for his second shot.

“Use 6 iron,” I said. “You’ve grown a lot, and a 4 iron is much too much club.”

But 15 year-olds often have minds of their own.  He stuck with the 4 iron, hit it cleanly, and watched it soar well over the green.

“Now, drop another ball,” I said, “and try a 6 iron.”

He did and hit the ball the perfect distance….but it veered off to the left and rolled onto a frozen pond. When we arrived at the pond’s edge, we saw the ball sitting there, ten feet away. Just sitting atop the glistening ice, waiting to be fetched.  And feeling guilty that it was I who had consigned this $1.25 ball to such a fate, it was I who decided that I should be the fetcher.

I had gone two steps onto the ice when the inevitable crack came, and I crashed, sideways.   I managed to stand up, the water above my waist.  So cold I couldn’t utter a word.  Tom and Jeff ran over to fish me out by extending an 8 iron for me to pull on.  I noticed bleeding from my wrist where it had been scraped by ice as I fell through. Even then, I could barely say a word.

I was the shivering wretch of the three, though, insisting we go to the next tee to complete the round. I had just read The Right Stuff, and this was going to be my John Glenn moment. Tom and Jeff were still laughing as I teed up my ball.  Then, when I tried to swing my driver, I was nearly felled by a horrifically painful crunch in my left rib cage. The technical name is crepitus, and it denoted a rib fracture. I tried to swing again but could use only my wrists to wave at the ball.

They escorted me back to the club house, bleeding wrist, broken rib, freezing torso, numb legs, sunken spirit.

I later asked Tom to petition the club’s Governing Council to post a sign alongside the pond on the seventh hole, to read:  “Here Goldfinger couldn’t walk on water.”

BOLLI Matters contributing writer Steve Goldfinger

Since joining BOLLI about two years ago, Steve has been writing.  He’s taken  memoir courses with Marjorie Roemer and worked on fiction with Betsy Campbell.  In addition, he’s stretched his creative muscles into the world of acting as an intrepid CAST player.

WALKABOUT by Quinn Rosefsky

At our most recent Writers Guild session, we shared our work with a “conspiracy theory” prompt in which we challenged ourselves to stretch our imaginations into the “fantastic” and write with authority.  As autumn creeps upon us, this piece of fiction by Quinn Rosefsky took many of us right back to summer camp…  We thoroughly enjoyed it and are sure you will too.

Quinn says that:  “Walkabout” started as a chapter in a book I call: Camp Arawakee .The manuscript was on a shelf in my closet for over twenty-five years. At one time, the book had enough strength to entice an agent to take interest. However, no publishers ever bothered to take a nibble. That was disheartening. More recently, I summoned the courage to take a fresh look. After all, in the past several years, I have somehow managed to write and re-write many times, what on paper looks like a mere 200,000 words. That changes a person. Let me tell you! So, what we now have in “Walkabout” is the fresh, 2017 version of the sentiments which first came to life so long ago. I’d be interested to know if anyone can come up with an ending to the “story within a story.” Having said that, you should probably read the story before reading this brief essay

 

WALKABOUT 

By Quinn Rosefsky

Where was Louis? The boys in Turtle Cabin waited in the fading light for their counselor to return from chatting with the pretty dark-haired nurse in the infirmary. Charlie, Teddy and Sean made up a contest. Who could jump the farthest from the edge of the lean-to onto the ground? A few feet away, Pete and Michael began arguing about whose turn it was to sweep the floor the next morning. As the first stars began to appear, Louis strode into view.

“Story!” the boys said, one after another.

The boys and Louis, dangling their legs, huddled on the edge of the lean-to.

“It was as hot as an oven the day I saw my first opal,” Louis said, dumping a bag of strange pebbles into his palm. “I’d been behind the wheel of my truck for hours and the flies were driving me crazy. I was so tired I could barely keep my eyes open. That’s when I drove the truck off the road into a ditch. There was no way I could get the wheels free. I sat down under the only gum tree around to rest.

“Just as I closed my eyes, something flashed at my feet. I bent over. There it was lying on top of the ground, the most fiery opal I’d ever seen.”

Louis paused to adjust the bush hat he always wore, even in the shower.

“What’s an opal?” Charlie said.

“It’s a jewel almost as precious as a diamond but still worth a lot of money.”

“Let him get on with the story,” Pete said, elbowing Charlie.

“Anyhow, just then, an Aborigine, his eyes so bright they looked like they were on fire, walked out of the bush and came straight towards me. He was wearing dusty blue jeans and no shirt.”

“What’s an Aborigine?” Ronnie said.

“They’re our native Australians, the ones who were there when Europeans first began to settle the continent. Same as your American Indians were here first.”

“Are there a lot of them?” Sean asked.

“Not any more. They’ve had a rough time.”

“Are they dangerous?”

“Not at all. They never were and never will be. They’re the ones who protect life in all its forms. That’s why the bush has been unspoiled for thousands of years.

“This particular Aborigine, who said his name was Jack, was on what’s called a walkabout. He’d been living alone in the bush for over a year, learning what he was to do with his life.

“As soon as Jack came to within a few yards, he stood still. He didn’t move for five minutes, not a muscle. It was as if he’d turned into a statue.

“Then Jack moved. First he pointed to my opal and then he took it from my hand and turned it over and over. Then he said: ‘Follow me.’

“We walked along an invisible track in the bush for about an hour. Finally, Jack stopped and pointed to the ground. I was completely mystified. Opals, dozens of them, were everywhere. I ran about like a man possessed. I was rich!

“Then I remembered my car was still stuck in the ditch an hour away from where I was. But what good would it do me to have all those opals if I never got out of the bush? I looked around to thank Jack, but he was gone. I was alone with no truck, no water and the hot sun beating down on me.”

“What happened next?” Charlie asked.

“You’ll have to wait until tomorrow,” Louis said.

“It’s not fair,” Pete said stomping his feet.

“That’s enough, Pete,” Louis said, wagging his finger. “I’ll give you guys fifteen minutes to get ready for bed and then it’s lights out.”

“How can I fall asleep not knowing if you survived?” Sean asked.

“Tomorrow.”

BOLLI Member & SGL Quinn Rosefsky

Quinn is a familiar face at BOLLI where he takes courses, teaches courses, serves on the Study Group Support Committee, participates in the New Yorker Fiction Group, the Writers Guild, and more!

 

WHAT’S ON MY MIND? LOST & FOUND by Steve Goldfinger

Our Writers’ Guild prompt for this week was this “Keep Calm and Look in Lost & Found” image.  As always, some chose to use the prompt while others did not.  We all thoroughly enjoyed Steve Goldfinger’s approach, and  we felt that many BOLLI members might be able to relate!  

LOST & FOUND

By Steve Goldfinger

For a moment, my wandering brain lost the prompt, but now I remember.  Ah, yes.  “Lost and Found.”

Well, it’s easy to lose things.  Car keys, cell phones, shopping lists, hearing aids.  Names of people whose faces are imprinted in my skull, faces of people whose names are as secure in my mind as swallows in cliff dwellings.

I cannot find the treasured score card that documented the best round of golf I ever played.  I was 21 year old, knew I would never have so low a score again, and promised I would keep it to show my grandchildren.  But where is it now?  Hiding somewhere in my attic or moldering at the bottom of some forsaken garbage dump?

When I lost my virginity, I knew I had also found something.  But when I lost my wallet yesterday, the only thing I found was an empty back pocket.  My only consolation was that my credit card was not longer in it.  Once again, the piece of plastic was undoubtedly sitting next to the cash register of the last restaurant I ate at.  Again, I neglected to retrieve it after I signed the check.  Damn it.  I want it back.  Now, what was the name of that restaurant?

After driving to the MFA to see the new exhibit that so excited me when I read the review in The Globe, I forgot which one it was.  When a large sign reminded me and told me where it was, I had to ask a guard to direct me to the stairway I had marched to directly so many times in the past.  It was a great exhibit…fine paintings and etchings by…oh, shit!

And what have I found?

Perhaps a new internal tempo that allows me to drive more slowly, aware as I am that, in front of me, the lane seems to have narrowed, and too many dents and scrapes have appeared on my car.

Or the magic of the remote, being able to put a ball game on a 40 minute delay so I can then zip through the commercials to get to the action.

Or the ability to justify my lifestyle–couch potato, bacon and eggs, steaks, morning croissants, and evening ice cream–by “Hey, I’m 82 and just back from Alaska where I survived a strenuous hike.  Good genes.  Thanks, Mom and Dad.”

Or how easy it has been to depart from the world of medicine.  A satisfying six decades, but in the end, too many directives separating me from patients, too many memory lapses, too many teaching moments falling short of my expectations, threatening my pride.

Or my ability to respond to writing prompts in perhaps a better way than I have responded to social ones over the years.

Writers Guild member, Steve Goldfinger

Since joining BOLLI nearly two years ago, Steve has been exploring new ventures.  He has been active in both the Writers Guild and CAST (Creativity in Acting, Storytelling, and Theatre).  

Interested in joining either one yourself? During the fall term, the Guild will meet on Wednesday mornings from 9:45-11.  And CAST will meet on Fridays from 12:30-2.  All are welcome!

LINES FROM LYDIA: My First Girdle

Lately, Lydia has been focusing on memoir writing–and, here, she gives us all a little inspiration for memoir writing of our own.  We hope you’ll think about sharing some of your memories with other BOLLI members on  our BOLLI Matters blog!  

MY FIRST GIRDLE

By Lydia Bogar

Me and Daddy

Daddy was sitting at the dining table, back to the thermostat wall.  He was doing paperwork – shop stuff – not painting.  I had been shopping with Mom, maybe at R.H. White’s, and we had bought my first girdle.  It was a pink and white striped thing with garters that was not purchased for a look-thinner purpose but, rather, to hold up my first pair of nylons. I believe it was 1957 or 58, at least one year before he died.

Daddy was a brave and determined man.  In 1938, he had come from Europe to America from Europe to live with Papa, Mimi, and Paul–to have a better life.  To be a soldier.  To fall in love and raise a family.  To be an artist and a hairdresser.  To be an American.   He was suave, sophisticated, very conscious of his appearance–hair, mustache, posture.  Was that a generational thing?  A European thing?  A proud new American thing?  He was tall, thin, beautiful—with tanned skin that never hardened.  His hair never turned grey.  He never turned 50…or 60…or more.

Daddy was not only an immigrant, an artist, a husband, and a father. He was also a son, brother, uncle, Catholic, a craftsman, a golfer, a Main Street businessman, fisherman, and gardener.  He was then a photographer, patriot, and anti-Communist.  Finally, he was a patient and a survivor.

I look back now at the black and white photos of him–in uniform, on his passport, on his citizenship papers, with his fedora, with the puppy named Bobo, with me.  Golfing with Papa and Paul.  Fishing with Uncle Fred and Uncle Eddie.  Lots of images saved from the house that wasn’t sold until Mom entered a nursing home.

It seems a little strange to me that one of my more vivid memories of Daddy was him sitting at the dining room table the day I came home with my first girdle.  And yet, for us girls in the 50s, that first was a big one.  Having him there for it was just as important.  How I wish that my other memories of him were clearer and more abundant.

Maybe they are just deeper–and writing will bring them to the surface.

BOLLI Matters Co-editor Lydia Bogar

Former English teacher and health care professional Lydia Bogar joined BOLLI in the spring of 2016 after returning home from a stint in South Carolina where she dipped into another OLLI program.   (We’re glad she decided to join this one!)

 

 

A Little Writing Inspiration: Try Creative Nonfiction!

So, what is Creative Nonfiction?  The simplest, clearest, and probably most “apt” answer is this:  true stories, well told.     Recently, Steve Goldfinger shared a piece about Henry and Claire Booth Luce, and now, Lydia Bogar provides her thoughts about her local childhood library and the woman for whom it was renamed.

A FAVORITE HAUNT AND THE OLD LADY IN THE PAINTING

by Lydia Bogar

The Greendale Branch, Worcester Public Library

Even as her vision failed, my maternal grandmother always had her Bible, The Morning Telegram, or The Evening Gazette) in hand.  As she grew older and needed both a magnifying glass and a bright lamp to help her, she continued to read, every day, until her death at the age of 94.  She passed her love of reading on to me, and it wasn’t long before the library became a favorite haunt.

The Greendale Branch of the Worcester Public Library was built in 1913 with a grant from Andrew Carnegie.  The children’s section of the library was on the left, divided from the adult books by an enormous, heavy, oak desk where you showed your card to the librarian and were then able to borrow books to read at home.

I started with the Little Golden books and got hooked.  Years later, I decided to turn a sharp right inside the front door and, over the course of that summer, read everything in the fiction section.  That was when I met Mary, Queen of Scots and Ernest Hemingway.  Eventually, I would drive my mother’s car there to “study” with friends.   In my family, women passed on not only our love of reading but books as well. I have been hooked on mysteries since an elderly aunt left me her collection of Perry Mason paperbacks in 1968.  My mother helped me to grow by passing on The Power of Positive Thinking, Silent Spring, and The Quiet American.

In the library, there was an enormous marble fireplace along the back wall.  A portrait of Frances Perkins, for whom the library was renamed in 1944, rested above it.  When I was a child, I had no idea who Frances Perkins was.  To me, she was just an old lady in an old painting.

Frances Perkins

Eventually, though, I learned just who this remarkable woman was.  Born and educated in Worcester, she started learning Greek from her father as a child, took classes in physics and chemistry at Mount Holyoke College as a young woman, and worked with poor, undereducated women in Illinois as an adult.  After her graduation, Frances devoted herself to mentoring working women, black and white, especially those in factories who were trying to support their families on miniscule paychecks.  She later earned a Masters Degree at Columbia University, writing her thesis on malnutrition among public school children. It is difficult to imagine how many glass ceilings she shattered just in her own educational efforts.

In 1911, when Perkins was in New York, she witnessed dozens of factory workers leap to their deaths in the Triangle Shirtwaist Fire—a turning point in her life.  From that point on, she dedicated her life to seeing labor conditions improve for workers.  She worked with a legislative committee after the disaster and became a consultant to Governor Al Smith.  Eventually, her lobbying efforts caught the attention of President Franklin Delano Roosevelt who appointed her to serve as his Secretary of Labor, the first woman to serve in a U.S. Government Cabinet position.  Serving in that position for over 12 years, she championed such causes as the Civilian Conservation Corps, Federal Emergency Relief, Fair Labor Standards, and Social Security.

Years before Rosa Parks or Gloria Steinem made their marks on our culture, Frances Perkins said:

                                  “I promise to use what brains I have                                         to meet problems with intelligence and courage.”

Quite a resume for a woman from Worcester whose portrait still inspires young visitors to the Greendale Branch of the Worcester Public Library.

 

Frequent BOLLI blogger, Lydia Bogar

Lydia has become a frequent BOLLI Matters contributor, even creating her own monthly feature, “Lines from Lydia.”

 

 

MEET MEMBER STEVE GOLDFINGER: BEST FRIENDS FOR LIFE

MEET MEMBER STEVE GOLDFINGER:  BEST FRIENDS FOR LIFE
Born and raised in Brooklyn, Steve Goldfinger enjoyed a long and distinguished career as a doctor and professor of medicine at MGH and Harvard Medical School.  His wife, a modern dancer and educational administrator, died ten years ago.  His four sons inherited both of their parents’ genes and have varied careers–Hollywood script writer, radiologist, psychotherapist, and business executive–coupled with creative musical talents they display in their respective bands and bluegrass group.  He has nine grandchildren.   In addition to writing, Steve’s interests include classical music and theatre.  He was also an ardent golfer “before skill deserted me.”
 
Steve joined BOLLI in 2016 and says that he has found it to be “a huge resource in my retirement which has fulfilled my desire to return to the humanities in my later years.”  The fine and varied program has also brought new friends.
As a member of  the Writers Guild,  Steve has treated the group to everything from poetry to memoir, short fiction, and creative nonfiction. This piece, an example of the latter, was written in response to the prompt:  “Best Friends Forever.” 

BEST FRIENDS FOR LIFE

by Steve Goldfinger

He was born in China in 1898, the son of Presbyterian missionary parents.  He died 69 years later, leaving behind an estate worth a hundred million dollars.  Along the way, he was voted the most brilliant member of his Yale graduating class.  An ardent anti-communist, he urged Kennedy to attack Cuba, even saying to him, “If you don’t, I’ll be like Hearst,” meaning he’d use his magazines to push him to it.  He was a strong proponent (and rare user) of LSD.  His physical awkwardness, lack of humor, and discomfort with any conversation that was not strictly factual was starkly at odds with his glamorous wife’s social poise, wit, and fertile imagination.

Henry Luce embarked on a career in journalism, and before he bought Life magazine in 1936, he and a partner had already taken on both Time and Fortune.  His yen to own Life was based purely on its name and how well it would couple with that of Time.  His wife Clare saw a grand opportunity to found an entirely new media genre: photojournalism.  Before they purchased it, Life magazine had been a declining vehicle for the kid of light-hearted, sophisticated, clean humor that it’s readers had outgrown.  Under the Luces, its new mission statement opened with “To see life, to see the world…”  How it succeeded!

Within four months, Life’s circulation rose from 380,000 to over a million, and it eventually exceeded eight million.  It became the most popular magazine of its time.  Renowned photographers captured riveting images for the eyes of the nation: the D-Day landings, aerial views of the remains of Hiroshima and Nagasaki, faces of the Nazis at the Nuremberg tribunal, and, most famous of all, the iconic kiss the sailor planted on that nurse in Times Square to celebrate the end of World War II.  And as more print invaded the magazine in the form of essays and memoirs, viewers became readers.  Life’s continued popularity brought great acclaim and great profits for more than three decades before it began its gradual fade in the 1970s.  Issues became less frequent and staggered to total cessation in 2000.  Rising costs were one reason.  Television was undoubtedly another.

In contrast to Henry’s somewhat colorless persona, Clare Boothe Luce led a stunning public life.  She was an early feminist, an actress, a successful  playwright, and then a war reporter, journalist, politician, congresswoman, and ambassador.  Attending opening night of one of her plays were Albert Einstein and Thomas Mann.  Among the quips attributed to her are, “No good deed goes unpunished” and “Widowhood is a fringe benefit of marriage.”  While ambassador to Italy, she was poisoned with arsenic.  Initially suspected to be Russian espionage retaliation for her outspoken anti-communism, the cause was eventually found to be arsenate in the paint flaking off her bedroom ceiling.  “Broadway’s New Faces, 1952” famously portrayed her illness at Toothloose in Rome.  Clare Boothe Luce died in 1987.  By the end of her life, she had become a fervent supporter of Barry Goldwater and a Nixon appointee to the President’s Foreign Intelligence Advisory Board.

Arguably the most influential and envied power couple of their time, Henry and Clare Boothe Luce made numerous friends for life.  They were also the best friends for  ,

MEET MEMBER LARRY SCHWIRIAN: Drawing on Experience

MEET MEMBER LARRY SCHWIRIAN: DRAWING ON EXPERIENCE

Larry
Member and Writer Larry Schwirian

I was born and raised in a small town on the Monongahela River south of Pittsburgh, the second of five children. I guess you could say my father was a small business person–he owned a milk hauling route, picking up raw milk from farmers and hauling it to a dairy. As cows give milk twice every day, this was a 365-day a year job, so we never took family vacations. Still, he managed to serve on the town council for over thirty years and twice served as mayor of the town. When my mother was fifteen, her mother died, and she became surrogate mother to her six younger siblings. So, I grew up with not only an older brother and three younger sisters but with sixteen girl cousins who all lived within walking distance. Our house was where everyone congregated for morning coffee, gossip, and news analysis.

At eighteen, I went off to Case Institute of Technology to study engineering but decided that wasn’t what I wanted to do for the rest of my life, so I transferred to Western Reserve to study architecture. It was there that I met my wife Caroline. A year after graduation from Case Western Reserve University, we were married, and a year after that, we moved to the Boston area, working as architectural novices in large firms in Cambridge. Very soon after that, the first of our three sons was born, and a few years after that, we moved into our historic home in the Auburndale section of Newton.

Over the next forty plus years, I worked for a number of large firms in the area and eventually became a project manager and/or a project architect. I had the opportunity to work on projects all over the country in addition to doing local projects like the Harvard Square Subway Station, The Wang Ambulatory Care Center at Mass General Hospital, Josiah Quincy Elementary School in Chinatown, the addition to the old Ritz Carlton Hotel in Boston, and One Newton Place in Newton Corner.

In 2010, Caroline and I retired from our positions in large firms, and in 2011, we established our own firm, Caroline & Lawrence Schwirian, Architects LLC.  We still do some residential work, and I still do some technical consulting with larger firms, but for the most part, we have enjoyed retirement, watching our grandchildren grow, and trying to keep up with gardening, yard work, and house maintenance.

In the fall of 2015, we joined BOLLI, and, for the first term, just attended the Lunch & Learns. I also participated in the Sages & Seekers program and joined the BOLLI Writers Guild. For the second term, I signed up for Betsy Campbell’s “Five Stories in Five Weeks” writing class, Peter Carcia’s “The Art of Storytelling” class, Mary Ann Byrnes’  “The Elephant in the Room” class about metaphors, and Larry Koff’s class on “The Death and Life of Cities and Towns in Metro Boston.”  I enjoyed all the classes, but I especially relished the opportunity to refine my writing and storytelling skills.

Here is one of the nonfiction pieces Larry has done as a participant in the BOLLI Writers Guild.

GIFTED OR TALENTED

(In Response to the Prompt: “What a Remarkable Gift”)

What is the difference between being “gifted” and being “talented?” Although there are no generally agreed upon definitions for these two words, they are similar in meaning but are generally used in different ways.  The term “gifted” is most often, but not always, used in conjunction with intellectual ability and implies an innate quality. In many school placement decisions, individuals with IQ scores above 130 (the upper 2% on the bell curve) are generally classified as being “gifted.”  While a person’s IQ may or may not be a true measure of intelligence, it at least measures some innate ability. The term “talented” is most often used to describe someone with an acquired ability to perform significantly above the norm in any one of many different endeavors, including but not limited to music, art, food preparation, or athletics but typically not intellectual pursuits. A person becomes “talented” after much hard work and practice.

I am aware of no numerical scale that can be used to evaluate “talent” in music other than the number of records or albums sold by an artist, but it would be unfair and foolhardy to compare the “talent” of a classical violinist to a pop singer by this method. Similarly, there is no logical way to numerically evaluate a painter, a sculptor, or a chef.   Sports may be the exception.   In baseball, for example, the batting or earned run average can be used to evaluate a player’s performance.   In football, a quarterback can be evaluated based upon the percentage of passes completed, touchdown passes thrown, or number of games won, but you can’t really evaluate the “talent” of a defensive lineman by comparing it to the “talent” of a running back or quarterback.

Using the above meanings, it is possible to be “gifted” without being “talented” and “talented” without being “gifted.”   It is also possible to be both “gifted and talented,” which is probably the case for most people who rise to the very top in their respective vocations. It could be said that people like Madonna and Shakira are both “intellectually gifted” and “musically gifted” as well as being “talented.”   Many people would agree that Elvis Presley was “musically gifted” and “talented” but not “intellectually gifted.”  Many who don’t make it quite to the top can be very “talented” but not necessarily “gifted.”  Similarly, most lists don’t include Sharon Stone as being among the one hundred most “talented” actresses, but I have read that she has a nearly genius IQ of over 150.

While it appears there is at least some standard way to evaluate whether a person is “intellectually gifted,” there is no universally accepted, objective way to evaluate and compare the “talent” of two or more individuals.  One would have to say then that “giftedness” is innate, but “talent” is in the eye, ear, nose, or taste buds of the beholder.

You can leave comments for Larry in the box below.

 

 

MEET MEMBER MARGIE ARONS-BARRON: A HOLE IN THE BUCKET

Meet Margie Arons-Barron, accomplished “wordsmith” and enthusiastic BOLLI member.

Screen Shot 2016-06-02 at 10.25.19 PM

BOLLI freshman Marjorie Arons-Barron is president of Barron Associates, a communications consulting firm, and a blogger at www.marjoriearonsbarron.com

If she looks familiar to you, it could be because for 20 years she may have been a guest in your living room, telling you what to think about anything from the local sewer bond issue to the dissolution of the Soviet Union. You may not always have agreed with her. Even her husband doesn’t. Not all the time anyway.

Margie is well known for her long career as editorial director at WCVB-TV, Boston’s ABC affiliate. From 1979-1999, she also produced and often hosted Five on Five, back then the nation’s longest running, locally produced public affairs discussion program.

Margie has been honored with numerous awards, including three New England Emmy Awards and, for five consecutive years, the National Award for Excellence in Television Editorials from the National Broadcast Editorial Association.

Prior to Channel 5, Margie was an associate producer of PBS Television’s The Advocates (which, she confesses, was the most fun she ever had at work); a national political affairs writer for The Boston Phoenix (she’s glad she’s no longer covering national conventions); a reporter for WGBH-TV’s Ten O’Clock News and political editor of The Newton Times. (Covering the local scene is hardest of all because you end up in the CVS line next to someone you’ve just criticized in print.)

Margie is a passionate overseer emerita of the Boston Symphony Orchestra and a director of the Mass. Broadcasters Hall of Fame. An honors graduate of Wellesley College, she received an honorary doctorate in humane letters from Regis College.

Margie joined BOLLI last summer. Contrary to some critics of her editorials, she jokes, she has never written fiction. At BOLLI, she is now writing fiction and also memoir. She’s loving all her courses and exhilarated to pursue interests sidelined for nearly 50 years as she pursued a career and raised a family. Her two sons and five grandkids are still what she is proudest of. Her husband and best friend, Jim Barron, is an attorney and consultant and is writing a book with a working title of The Greek Connection, to be published next year by Melville House.

Margie wrote the following piece in response to “A Hole in the Bucket” Writers Guild prompt earlier this year.

 

A HOLE IN THE BUCKET

by Margie Arons-Barron

Tick. Tock.  Tick. Tock.  Warned the grandfather clock in the living room. Liza was running late. Nothing had gone right this morning. When the alarm went off, she wasn’t sure where she was. It took her a while to get her bearings. As her feet hit the hardwood floor, it suddenly came to her. She and Henry had an appointment at ten to take care of something legal. Was it their mortgage? No, they hadn’t had a mortgage for years. Update their wills? Yes, that was it. They were meeting the attorney–Asa what’s-his-name?–at the law offices because Henry had had an emergency appointment with the dentist to glue a crown back in his mouth. Liza and Henry had been together since they were children. After 45 years of marriage, it was patch, patch, patch.

She went to the closet and grabbed a pair of grey flannel pants with an elasticized waistband along with a tailored shirt. Was this grey or blue? It didn’t matter. Where were her socks? Maybe the ones left rolled up last night in her weather-beaten running shoes would do. She pulled them on and struggled with her shoelaces. Maybe it was time to go Velcro, but she couldn’t bring herself to do that. It just didn’t look dignified. Finally, she was dressed.

There were two pink post-its on the bathroom mirror. “Brush teeth.” Which she did. “Put on lipstick.” She applied it as carefully as she could, her hand shaking slightly. Eyeliner and mascara were a thing of the past. She did the best to smooth her hair, noticing the widening band of grey at the root line. She’d have to do something about that. Maybe next week.

Tick. Tock. Tick.  It was 9:30. Henry had told her to take a cab to the lawyer’s, but, she figured, she still had time and wanted to drive. Where were her keys? Not in her purse. She looked frantically on her dresser, on her desk, in the front hall, in her coat pocket. Did Henry hide them? He really didn’t want her driving anymore. Neither, for that matter, did their son Malcolm or daughter Christine. But Liza was determined. She raced through the bureau drawers, then headed for the kitchen. Utensil drawers? Not there. Pots-and-pans shelf? Nope. She opened the refrigerator, and, there on the top shelf, were her keys. This was crazy. What had she been thinking? Had she also left a bottle of milk in the medicine chest?

Liza started to tremble, tears tumbling silently down her softly lined cheeks. What was happening to her? It was one thing to forget people’s names, especially if she hadn’t seen them in a while. She had done that for years. She remembered a concert reception when a familiar looking, elegant woman came toward them, smiling broadly.

How are you?

Fine, and you?

It’s wonderful to see you. It’s been too long. (What was her name?)

Do you know my husband, Henry Snodgrass?

“Nice to meet you, Henry, and do you know my husband, Burt?”

They parted five minutes later, Liza still unable to recall the woman’s name.

Lately though, things had gotten worse. If Henry hadn’t reminded her it was meal time, she would have forgotten to eat. Sometimes she had gone out to walk and had difficulty finding her way back home, though they had lived in their quiet Victorian neighborhood for nearly half a century. She had double paid some bills and neglected to pay others. So Henry had taken over the household finances, and Liza had raged against the loss of control. Some days, she just didn’t want to get out of bed. It was warm and safe, and she didn’t have to confront the myriad frustrations that plagued her daily life.

Tick. Tick. Time was running out. It was almost ten o’clock. She’d have to call a cab. As she reached for the phone, it rang. An unfamiliar voice asked, “Is this Liza Snodgrass? Ma’am, this is Captain Lynch at precinct 4. Are you the wife of Henry Snodgrass? Ma’am, I’m afraid there’s been a car accident. You’d best come to the Emergency Room at the General.”

“Ma’am? Ma’am? Do you understand what I’m saying?”

A garbled sound rose from deep inside her.

What was he saying? What did it mean?

MEET MEMBER KAREN WAGNER: DELAYED DEPARTURES

BOLLI Member and Poet Karen Wagner
BOLLI Member and Poet Karen Wagner

Karen grew up in Pittsburgh, PA and attended Pennsylvania State University, graduating with her BS, MA, and Ph. D.  in Geophysics in 1969, 1972, and 1976.  Dr. Wagner went to work for AMOCO Production Company in their research lab in Tulsa, OK and simultaneously became adjunct professor of mathematics at Tulsa University from 1977 to 1980.  She also continued competitive fencing in the tri-state fencing league. She transferred to Houston, TX to work for a production division of AMOCO in 1980 where she both continued competition fencing and became an avid catamaran sailor. In 1982, Karen began working for Natomas Petroleum International out of San Francisco where she actively traveled and worked the Bahamas and South America. During her time in California, Karen became a wildlife vet technician working for the Alexander Lindsay Junior Museum on weekends. In 1984, she returned to Houston, TX to become Product Development Manager for Borehole Seismic work at Schlumberger North American Headquarters. This work took her to Europe, Alaska, and Japan. During her extended stays in Japan (where Schlumberger had a research lab on the outskirts of Tokyo), she continued to play kendo which she had begun studying under Darrell Craig at the Houston Budokan.

In the mid 1980’s with the oil bust, Dr. Wagner switched careers from oil  to radar and moved to the Boston area to work for the MITRE Corporation.  She spent 13 years working on different projects including ground penetrating radar and over-the-horizon radar. She continued her martial arts training at a Uechiryu Karate dojo studying under Walter Mattson. In 1999, Karen began working for Raytheon Integrated Defense Systems. She worked on the Airborne Early Warning and Control System (AWACS), the Stealth Bomber weapons load, and the Ballistic Missile Defense System. She became a Raytheon Six Sigma Expert along the way.

After 35 years in high tech, Karen left Raytheon in 2011 and began a sabbatical that involved BOLLI and the pursuit of all things relaxing. Along with several colleagues, Dr. Wagner became an SGL for the “Science Sampler: Five by Three” which gave students introductions to eclectic topics in science and ran for four semesters.  After taking a writing course with Marilyn Katz Levenson, Karen discovered a talent for poetry which she pursues to this day in the BOLLI Writers’ Guild.  She has been a contributor to the last two issues of the BOLLI Journal. A sample of her poetry is included here, entitled “Delayed Departures,” about a pirate ship chasing a Spanish galleon.

DELAYED DEPARTURES

Fog

slinks around corners

shaves edges dull,

spills over ground

erases feet,

blows over fingers

my hand is

shadowed

inches from my face,

sets me adrift.

I rock in a sea of

foam and gull screeches

my memory sets sail

for a port of pirates,

mates swing

from the highest yardarms,

treasures of the high seas

await the daring;

we sail with the tide

to chase the rich galleon.

He strides the upper deck

under the Spanish flag,

scans the harbor

for the rowboats and crew

overdue at the bells

the riggings undone

an anchor to raise

while the weather encroaches.

My spyglass is blind,

in banks of mist,

there is easy prey

set low in the water

in a ship heavy with

doubloons and ornaments,

booty for a cavalier’s ransom,

and still I bide my time

until

I can count my fingers,

count my gold.

 

MEET MEMBER BETSY CAMPBELL: Those Who Can…Teach!

BOLLI writer and SGL, Betsy Campbell
BOLLI writer and SGL, Betsy Campbell

In my life before BOLLI, I taught 6-year-olds how to write stories. Now I am doing the same thing with 86-year-olds!  No matter the age of the author, I am always surprised and delighted at the results. Everyone has stories to tell, and they are always different. I’ve been writing my own for years. Some are true. Most are fiction. But this part is true…. I taught high school English for a short while. Kindergarten and First Grade for a long while. I love Mozart Operas, Billy Collins’ poems, and the Boston Red Sox. When I’m not writing, or going to BOLLI, or rushing to catch the ferry, I’m at home reading and feeding the cat.

GONE

By Betsy Campbell

They stopped at Dunkin Doughnuts on the way to the Ferry. Alice had a small latte while Bill had a glazed doughnut and a large coffee with extra cream. She offered to drive the rest of the way while he ate. It was the least she could do under the circumstances. Cars were already driving up the ramp to the ferry when they arrived at the dock.

“They’re loading,” said Bill. “You better hurry.” He wiped a smear of sugar from his mouth and took a swig of coffee. She left her unfinished latte in the cup holder and got out to collect her bag from the trunk.

Bill opened the car window. “Got everything?”

“Yes. I’m all set.” She hoisted her shoulder bag in place and raised the handle on her roller bag.

“Bye,” she said. “Thanks for the ride.”

“Have fun,” he said and took another bite of doughnut.

Alice hurried up the gangplank and dragged her suitcase up a flight of stairs to the outside deck. She found a seat near the rail on the stern from where she could look down on the parking lot. Bill’s car was still there. He was probably still eating. A line of cars moved toward the loading ramp. Alice leaned on the rail, watching the activity below, trying to calm the sad, nervous feeling in her gut. She had done it. She had left him, and rightly so, for he hadn’t even bothered to kiss her good-bye.

She had moved into his place with great hopes, and it had seemed a happy choice at first. But, gradually, she saw that he was content with his routines. Frozen waffles every morning. Pasta for dinner every night. Sports radio and fantasy football. Even sex had to happen when the Red Sox had a day off or when there was no football on TV. Alice had tried to adapt to his ways, but there were things he didn’t notice. Little things that she tried to do for him. Clean sheets and towels didn’t matter to him. When she replaced a mildewed shower curtain with a new one, he didn’t care. He didn’t notice flowers on the table and had no taste for fresh green salads or healthy grains. She began to feel that there was nothing she could do for him. Sometimes she thought that, if she left, he wouldn’t even notice.

“Get out,” her friends advised. “You have to end it. He’s never going to change.”

But Alice hated making scenes. Even now, she had told him she was going to visit her sister for a few days without hinting that she might not be coming back. He had offered to drive her to the ferry, and when she said he needn’t bother, he had said, “No problem. I can listen to the game on the way back.”

With a blast on its horn, the ferry started to edge away from the dock. Alice looked down at Bill’s car and saw him fling open the door, jump out, and race toward the departing boat. He was looking up, searching for her among the passengers lining the rail, waving his arms, and yelling. Her heart jumped. He was calling her back! She leaned over the rail, straining to hear. him call her name.

“Alice! The keys! Where are my keys?”

As the ferry slid away, leaving an ever larger stretch of water between stern and shore, Alice slipped her fingers into her pocket and felt a familiar clump of keys. She knew, without looking, that they were attached to a New England Patriots key ring. She pulled them from her pocket, dropped them over the rail, and raised her empty hand to wave good-bye.