Ariana Hajmiragha
The Hassan II Mosque in Casablanca can be seen for miles in each direction when not blocked by buildings. Built on the coast, jutting into the ocean with views of the beach from each side, the clean lines and intricate designs of the tower starkly contrast with the surrounding dingy buildings of the industrial city. I visited on a gorgeous spring day, warm enough to take off my jacket, with droves of people visiting on their Sunday off from work. Entering from the street, two flanking buildings and fountains block the sheer scope of the mosque, but after passing into the courtyard the area feels like it belongs to a time and city apart.
Finished in 1993, the mosque does not belong to the distant past, but is designed to link the past with the present in aesthetics and function. The architecture is indelibly Islamic, but reminiscent of artistic visions of the future, with sweeping lines, slight curves, and the impeccable juxtaposition of intimate spaces in the covered walkways along the perimeter with the sweeping open space of the courtyard and the monumentality of the main mosque.
Couples, families, friends, and individuals roamed the grounds, and sat along the edges with a view of the rocky coast and beach. The mosque is not only unique due to its incredible architecture, but also is one of the few mosques open in Morocco to non-Muslims, at certain appointed tour times. I was unable to take one of such tours, because I arrived just prior to the noon prayers and so the mosque was open only to practitioners. At about 12:30pm, the call to prayer rang out from the tower. Immediately people began moving from the sidelines to the enormous main gate to pray. Not all went to pray, and many remained outside in the sun, sitting, walking, and talking. Continue reading “Monumentality and the Individual”
